| Summary: | Until which point the literary difficulty can become a narrative project? Part of Juan José Saer’s work, in particular its novel Nadie nada nunca, fulfils the need to protect the sense, that is to say, to border the interpretation and make it opaque. This search is the consequence of experimentation, of presentation of a political reality and of defence of obscurity as a writing value. Starting from this postulate, this article explores the tendency to hermeticism in Nadie nada nunca. Likewise, it develops a reading of Saer’s essays to determine if a programmatic character of this hermetic postulate does exist. At last, a study of this tendency’s limits in the novel is proposed, highlighting the tension between obscurity and clarity and showing the link between hermeticism and music.
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