Borges and Escher: the baroque labyrinth and the Neo-Baroque perception paradoxes
In baroques labyrinths it get consumed the perverse pleasure of artificious complexity, the enthusiasm for a virtual architecture able to metaphorise the endless trajectories of an inextricable universe. One of the evidents signs of neo-baroque crisis in Borges’s poetics is, without doubts, the pres...
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| Format: | Article |
| Language: | English |
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Instituto de Estudios Auriseculares (IDEA)
2016-11-01
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| Series: | Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro |
| Online Access: | http://revistahipogrifo.com/index.php/hipogrifo/article/view/273 |
| Summary: | In baroques labyrinths it get consumed the perverse pleasure of artificious complexity, the enthusiasm for a virtual architecture able to metaphorise the endless trajectories of an inextricable universe. One of the evidents signs of neo-baroque crisis in Borges’s poetics is, without doubts, the presence of labyrinth’s geometrical metaphors. Also Escher, through his graphics representations of the unestable equilibrium between illusion and disillusion, between decryption and ontological doubt, between figures possibles and impossibles, ends enrolling himself in the scope of neo-baroque crisis. |
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| ISSN: | 2328-1308 |