The Power of Sound Design in a Moving Picture: an Empirical Study with emoTouch for iPad

The art of sound design for a moving picture rests basically on the work experience of pragmatists. This study tries to establish some guidelines on sound design: In an experiment 240 participants gave feedback about their emotions while watching two videos, each combined with four different audio t...

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Bibliographic Details
Main Authors: Maximilian Kock, Christoph Louven
Format: Article
Language:English
Published: The Ohio State University Libraries 2019-04-01
Series:Empirical Musicology Review
Subjects:
Online Access:http://emusicology.org/article/view/6572
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spelling doaj-a38f67b1aba0493f9cfffcb650f24e4c2020-11-24T21:05:40ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492019-04-01133-413214810.18061/emr.v13i3-4.65724228The Power of Sound Design in a Moving Picture: an Empirical Study with emoTouch for iPadMaximilian Kock0Christoph Louven1Ostbayerische Technische Hochschule Amberg-WeidenUniversität OsnabrückThe art of sound design for a moving picture rests basically on the work experience of pragmatists. This study tries to establish some guidelines on sound design: In an experiment 240 participants gave feedback about their emotions while watching two videos, each combined with four different audio tracks – music, sound effects, full sound design (music and sound effects) and no audio (as the comparative "null" version). Each participant viewed an audiovisual combination once to prevent habituation. The lead author employed a tablet-computer with the emoTouch-application serving as a mapping tool to provide information about the emotional responses. The participants moved a marker on the tablet's touch screen in a two-dimensional rating scale describing their felt immersion and suspense. A 3-factor-ANOVA showed significant increases of the median (and maximum) values of immersion and suspense when the participants listened to music and/ or sound effects. These values were always compared to the induced emotions of the participants who watched the videos with no audio at all. The video with full sound design audio tracks increased the median immersion values up to four times and the median suspense values up to 1.4 times. The median suspense values of the video with either music or sound effects dropped by 40 percent compared to the median suspense values of the null version. In contrast, the median immersion values were increased up to 3.6 times. The findings point to the importance of sound effects in an appropriate mix with music to enhance the viewers induced immersion and suspense.http://emusicology.org/article/view/6572influence of sound design on perceptionmoving pictureperceived emotion
collection DOAJ
language English
format Article
sources DOAJ
author Maximilian Kock
Christoph Louven
spellingShingle Maximilian Kock
Christoph Louven
The Power of Sound Design in a Moving Picture: an Empirical Study with emoTouch for iPad
Empirical Musicology Review
influence of sound design on perception
moving picture
perceived emotion
author_facet Maximilian Kock
Christoph Louven
author_sort Maximilian Kock
title The Power of Sound Design in a Moving Picture: an Empirical Study with emoTouch for iPad
title_short The Power of Sound Design in a Moving Picture: an Empirical Study with emoTouch for iPad
title_full The Power of Sound Design in a Moving Picture: an Empirical Study with emoTouch for iPad
title_fullStr The Power of Sound Design in a Moving Picture: an Empirical Study with emoTouch for iPad
title_full_unstemmed The Power of Sound Design in a Moving Picture: an Empirical Study with emoTouch for iPad
title_sort power of sound design in a moving picture: an empirical study with emotouch for ipad
publisher The Ohio State University Libraries
series Empirical Musicology Review
issn 1559-5749
publishDate 2019-04-01
description The art of sound design for a moving picture rests basically on the work experience of pragmatists. This study tries to establish some guidelines on sound design: In an experiment 240 participants gave feedback about their emotions while watching two videos, each combined with four different audio tracks – music, sound effects, full sound design (music and sound effects) and no audio (as the comparative "null" version). Each participant viewed an audiovisual combination once to prevent habituation. The lead author employed a tablet-computer with the emoTouch-application serving as a mapping tool to provide information about the emotional responses. The participants moved a marker on the tablet's touch screen in a two-dimensional rating scale describing their felt immersion and suspense. A 3-factor-ANOVA showed significant increases of the median (and maximum) values of immersion and suspense when the participants listened to music and/ or sound effects. These values were always compared to the induced emotions of the participants who watched the videos with no audio at all. The video with full sound design audio tracks increased the median immersion values up to four times and the median suspense values up to 1.4 times. The median suspense values of the video with either music or sound effects dropped by 40 percent compared to the median suspense values of the null version. In contrast, the median immersion values were increased up to 3.6 times. The findings point to the importance of sound effects in an appropriate mix with music to enhance the viewers induced immersion and suspense.
topic influence of sound design on perception
moving picture
perceived emotion
url http://emusicology.org/article/view/6572
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