A Capricious Aspect of a Haydn Quartet: Parallels Linking Musical Phrasing to Italian Poetic Theory

Haydn’s Quartet op. 9, no.6, illustrates the application of poetic conventions to music. Viewed as a Capriccio, movement 1 discloses a labyrinthine rhythmic structure both didactic and amusing. A table of musical rhythms and inventory of musical phrase types supplement analyses.

Bibliographic Details
Main Author: Sven H. Hansell
Format: Article
Language:deu
Published: Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) 2007-12-01
Series:Muzikološki Zbornik
Subjects:
Online Access:https://193.2.70.196/MuzikoloskiZbornik/article/view/5460
Description
Summary:Haydn’s Quartet op. 9, no.6, illustrates the application of poetic conventions to music. Viewed as a Capriccio, movement 1 discloses a labyrinthine rhythmic structure both didactic and amusing. A table of musical rhythms and inventory of musical phrase types supplement analyses.
ISSN:0580-373X
2350-4242