Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in Soria
One of the most important sculptures of the Bishopric of Osma, in the middle years of the 16th century, is the altarpiece of the church of St. Mary Major in Soria. In these years, some of the most important sculptural works in Soria were requested to prestigious foreign workshops. Such was the case...
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Universidad Complutense de Madrid
2016-12-01
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| Series: | Anales de Historia del Arte |
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| Online Access: | http://revistasculturales.ucm.es/index.php/ANHA/article/view/54049 |
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doaj-a2bc0e8f8a674410901e05f35546a3722020-11-25T02:55:59ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912016-12-012607310110.5209/ANHA.5404950553Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in SoriaPedro Luis Echeverría Goñi0René Jesús Payo Hernanz1Universidad del País Vasco. Departamento de Historia del Arte y MúsicaUniversidad de Burgos. Departamento de Ciencias Históricas y GeografíaOne of the most important sculptures of the Bishopric of Osma, in the middle years of the 16th century, is the altarpiece of the church of St. Mary Major in Soria. In these years, some of the most important sculptural works in Soria were requested to prestigious foreign workshops. Such was the case of the altarpiece of the church of St. Mary Major, so far not documented, which was conducted by the assembler Juan de Losada and the prestigious sculptor Juan de Carranza, one of the most important masters in those years working in the city of Burgos.http://revistasculturales.ucm.es/index.php/ANHA/article/view/54049escultura del siglo xviiglesia de santa maría la mayor de soriajuan de carranzajuan de losadamanierismoeclecticismopolicromía. |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Pedro Luis Echeverría Goñi René Jesús Payo Hernanz |
| spellingShingle |
Pedro Luis Echeverría Goñi René Jesús Payo Hernanz Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in Soria Anales de Historia del Arte escultura del siglo xvi iglesia de santa maría la mayor de soria juan de carranza juan de losada manierismo eclecticismo policromía. |
| author_facet |
Pedro Luis Echeverría Goñi René Jesús Payo Hernanz |
| author_sort |
Pedro Luis Echeverría Goñi |
| title |
Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in Soria |
| title_short |
Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in Soria |
| title_full |
Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in Soria |
| title_fullStr |
Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in Soria |
| title_full_unstemmed |
Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in Soria |
| title_sort |
contributions to the knowledge of castilian sculpture in the middle years of the 16th century. juan de carranza i and the altarpiece of the church of st. mary major in soria |
| publisher |
Universidad Complutense de Madrid |
| series |
Anales de Historia del Arte |
| issn |
0214-6452 1988-2491 |
| publishDate |
2016-12-01 |
| description |
One of the most important sculptures of the Bishopric of Osma, in the middle years of the 16th century, is the altarpiece of the church of St. Mary Major in Soria. In these years, some of the most important sculptural works in Soria were requested to prestigious foreign workshops. Such was the case of the altarpiece of the church of St. Mary Major, so far not documented, which was conducted by the assembler Juan de Losada and the prestigious sculptor Juan de Carranza, one of the most important masters in those years working in the city of Burgos. |
| topic |
escultura del siglo xvi iglesia de santa maría la mayor de soria juan de carranza juan de losada manierismo eclecticismo policromía. |
| url |
http://revistasculturales.ucm.es/index.php/ANHA/article/view/54049 |
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AT pedroluisecheverriagoni contributionstotheknowledgeofcastiliansculptureinthemiddleyearsofthe16thcenturyjuandecarranzaiandthealtarpieceofthechurchofstmarymajorinsoria AT renejesuspayohernanz contributionstotheknowledgeofcastiliansculptureinthemiddleyearsofthe16thcenturyjuandecarranzaiandthealtarpieceofthechurchofstmarymajorinsoria |
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