Embodied Cognition, Perception, and Performance in Music
In this response to Leman and Maes’s paper in this issue, we raise a couple of concerns about the authors’ particular approach to embodied music cognition, drawing selectively on their other writings to enrich our interpretation of this target article, while pointing to a few of the many other legit...
Main Authors: | Andrew Geeves, John Sutton |
---|---|
Format: | Article |
Language: | English |
Published: |
The Ohio State University Libraries
2015-05-01
|
Series: | Empirical Musicology Review |
Subjects: | |
Online Access: | https://doi.org/10.18061/emr.v9i3-4.4538 |
Similar Items
-
The Role of Embodiment in the Perception of Music
by: Marc Leman, et al.
Published: (2015-05-01) -
Sensorimotor grounding of musical embodiment and the role of prediction: a review
by: Pieter-Jan eMaes
Published: (2016-03-01) -
Origin of music and embodied cognition
by: Leonid ePerlovsky
Published: (2015-04-01) -
Emotion, Embodied Mind and the Therapeutic Aspects of Musical Experience in Everyday Life
by: Dylan van der Schyff
Published: (2013-07-01) -
Why Apply a Hierarchical Predictive Processing Framework to Music Perception and Performance?
by: John Michael, et al.
Published: (2015-05-01)