La musica nel Regolamento scolastico della Collegiata di San Candido del 1614
This contribution examines the school regulations of the Collegiate Church of San Candido / Chorherrenstift Innichen, the oldest monastic foundation in South Tyrol, which experienced great cultural and musical ferment in the period immediately following the Council of Trent. In the first two decades...
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University of Bologna
2020-12-01
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doaj-a27dc974606e4d09ab1292c430e0bc872020-12-22T10:39:57ZdeuUniversity of BolognaMusica Docta2039-97152020-12-0110152310.6092/issn.2039-9715/1192710232La musica nel Regolamento scolastico della Collegiata di San Candido del 1614Giulia GabrielliThis contribution examines the school regulations of the Collegiate Church of San Candido / Chorherrenstift Innichen, the oldest monastic foundation in South Tyrol, which experienced great cultural and musical ferment in the period immediately following the Council of Trent. In the first two decades of the 17th century, the Collegiate Church of San Candido was completely reformed according to the dictates and spirit of the Council. Many new books were compiled for liturgical singing, currently preserved in the Museum of the Collegiate Church. The school of the Church, which was active for many centuries, also received renewed attention and a new statute, drawn up in 1614. The seven chapters that make up the statute contain rules that describe the musical activities related to teaching and those of the Latin students as well as of the so-called Germanic students, namely boys and girls who, unlike the former, attended classes but did not provide regular service in the liturgy. In its broad outline, the document is known to us through the writings of local historians, but has never been examined from a musicological point of view, despite the richness of its musical and pedagogical contents. The article provides a first overview of these, highlighting aspects of the regulations that appear modern, and partly even relevant for today.https://musicadocta.unibo.it/article/view/11927collegiate school of san candido / innichenschool regulationsmusic at school in the 17th centurylatin and germanic studentspueri cantores |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Giulia Gabrielli |
spellingShingle |
Giulia Gabrielli La musica nel Regolamento scolastico della Collegiata di San Candido del 1614 Musica Docta collegiate school of san candido / innichen school regulations music at school in the 17th century latin and germanic students pueri cantores |
author_facet |
Giulia Gabrielli |
author_sort |
Giulia Gabrielli |
title |
La musica nel Regolamento scolastico della Collegiata di San Candido del 1614 |
title_short |
La musica nel Regolamento scolastico della Collegiata di San Candido del 1614 |
title_full |
La musica nel Regolamento scolastico della Collegiata di San Candido del 1614 |
title_fullStr |
La musica nel Regolamento scolastico della Collegiata di San Candido del 1614 |
title_full_unstemmed |
La musica nel Regolamento scolastico della Collegiata di San Candido del 1614 |
title_sort |
la musica nel regolamento scolastico della collegiata di san candido del 1614 |
publisher |
University of Bologna |
series |
Musica Docta |
issn |
2039-9715 |
publishDate |
2020-12-01 |
description |
This contribution examines the school regulations of the Collegiate Church of San Candido / Chorherrenstift Innichen, the oldest monastic foundation in South Tyrol, which experienced great cultural and musical ferment in the period immediately following the Council of Trent. In the first two decades of the 17th century, the Collegiate Church of San Candido was completely reformed according to the dictates and spirit of the Council. Many new books were compiled for liturgical singing, currently preserved in the Museum of the Collegiate Church. The school of the Church, which was active for many centuries, also received renewed attention and a new statute, drawn up in 1614. The seven chapters that make up the statute contain rules that describe the musical activities related to teaching and those of the Latin students as well as of the so-called Germanic students, namely boys and girls who, unlike the former, attended classes but did not provide regular service in the liturgy. In its broad outline, the document is known to us through the writings of local historians, but has never been examined from a musicological point of view, despite the richness of its musical and pedagogical contents. The article provides a first overview of these, highlighting aspects of the regulations that appear modern, and partly even relevant for today. |
topic |
collegiate school of san candido / innichen school regulations music at school in the 17th century latin and germanic students pueri cantores |
url |
https://musicadocta.unibo.it/article/view/11927 |
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