Ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicas
The paper focuses on the issue of adaptation and modification of the coat “chamara” in the historical and cultural horizon. The original shepherd overcoat spread out in Europe due to Spanish Renaissance fashion and gradually adopted the ethno-cultural features of individual cultural areas. In the Ce...
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Online Access: | http://www.karolinum.cz/doi/10.14712/24647063.2019.19 |
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doaj-a2255365e71940bda35408c7370e3aef2020-11-25T01:28:41ZengKarolinum PressIbero-Americana Pragensia0536-25202464-70632020-07-01471616910.14712/24647063.2019.199324Ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicasDaniel DědovskýThe paper focuses on the issue of adaptation and modification of the coat “chamara” in the historical and cultural horizon. The original shepherd overcoat spread out in Europe due to Spanish Renaissance fashion and gradually adopted the ethno-cultural features of individual cultural areas. In the Central Europe, especially in Poland, Hungary and later in Bohemia, the more archaic, Renaissance form of the coat was adapted to the folk costumes of pastoral areas, while the middle class transferred the “chamara” to ethnically accentuated fashion of the 19th century. Therefore, in 1848 the “chamara” became a national costume in Czech culture and its popularity, especially in smaller settlements, persisted until the turn of the 19th and 20th centuries.http://www.karolinum.cz/doi/10.14712/24647063.2019.19history of clothingethnographynational costumecultural diffusionnationalism |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Daniel Dědovský |
spellingShingle |
Daniel Dědovský Ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicas Ibero-Americana Pragensia history of clothing ethnography national costume cultural diffusion nationalism |
author_facet |
Daniel Dědovský |
author_sort |
Daniel Dědovský |
title |
Ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicas |
title_short |
Ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicas |
title_full |
Ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicas |
title_fullStr |
Ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicas |
title_full_unstemmed |
Ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicas |
title_sort |
ecos de la moda espaňola en traje nacional checo: transmisiones culturales y etymológicas |
publisher |
Karolinum Press |
series |
Ibero-Americana Pragensia |
issn |
0536-2520 2464-7063 |
publishDate |
2020-07-01 |
description |
The paper focuses on the issue of adaptation and modification of the coat “chamara” in the historical and cultural horizon. The original shepherd overcoat spread out in Europe due to Spanish Renaissance fashion and gradually adopted the ethno-cultural features of individual cultural areas. In the Central Europe, especially in Poland, Hungary and later in Bohemia, the more archaic, Renaissance form of the coat was adapted to the folk costumes of pastoral areas, while the middle class transferred the “chamara” to ethnically accentuated fashion of the 19th century. Therefore, in 1848 the “chamara” became a national costume in Czech culture and its popularity, especially in smaller settlements, persisted until the turn of the 19th and 20th centuries. |
topic |
history of clothing ethnography national costume cultural diffusion nationalism |
url |
http://www.karolinum.cz/doi/10.14712/24647063.2019.19 |
work_keys_str_mv |
AT danieldedovsky ecosdelamodaespanolaentrajenacionalchecotransmisionesculturalesyetymologicas |
_version_ |
1725100101727158272 |