Sobre ancestralidade, minha vó Eliza e o Teatro Russo

• Main Author: Thábata Marques Liparotti
• Format: Article
• Language: Portuguese
• Published: Universidade do Estado de Santa Catarina 2020-10-01
• Series: DAPesquisa
• Subjects: ancestr; russian theatre; research on dance
• Online Access: https://www.revistas.udesc.br/index.php/dapesquisa/article/view/17973

This panel is the result of a pursuit of a writing style to a research onArt. Entwining childhood and Ukrainian ancestral memories, the seam and the embroidery emerged as a qualitative strategy to deal with the body's thinking. Such memories organized thus the way this body creates and builds its connections. Since the weave resumes doings apprehended in childhood, the thread enters the textile and ties the links among academic, artistic and pedagogical creation which here are such an amalgam. Consequentily, three dimensions of sewing and embroidering may be pointed out: the metaphorical seams which tied ideas into a text, the metaphorical weaving of dance movements and the concrete seam of the text-tissue which binds the texts among them. All seams, therefore, embroider overlapping meanings and produce aesthetic results