Pedro Páramo, A Metaphor for the End of the World

In Rulfo's novel, popular Catholic culture functions as an ideology and as such, it encompasses the totality of the represented universe. Because reality is only captured through ideology, there is no criterion in the novel that is outside ideology and which would therefore offer a critical sta...

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Bibliographic Details
Main Author: Julio Ortega
Format: Article
Language:English
Published: New Prairie Press 1990-01-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol14/iss1/4
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spelling doaj-a176098a87fd4ad8ad3e8a106d90ac182020-11-24T22:40:03ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44151990-01-0114110.4148/2334-4415.12405609503Pedro Páramo, A Metaphor for the End of the WorldJulio OrtegaIn Rulfo's novel, popular Catholic culture functions as an ideology and as such, it encompasses the totality of the represented universe. Because reality is only captured through ideology, there is no criterion in the novel that is outside ideology and which would therefore offer a critical standpoint, though this criterion does exist by implication in the world of the reader.http://newprairiepress.org/sttcl/vol14/iss1/4
collection DOAJ
language English
format Article
sources DOAJ
author Julio Ortega
spellingShingle Julio Ortega
Pedro Páramo, A Metaphor for the End of the World
Studies in 20th & 21st Century Literature
author_facet Julio Ortega
author_sort Julio Ortega
title Pedro Páramo, A Metaphor for the End of the World
title_short Pedro Páramo, A Metaphor for the End of the World
title_full Pedro Páramo, A Metaphor for the End of the World
title_fullStr Pedro Páramo, A Metaphor for the End of the World
title_full_unstemmed Pedro Páramo, A Metaphor for the End of the World
title_sort pedro páramo, a metaphor for the end of the world
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 1990-01-01
description In Rulfo's novel, popular Catholic culture functions as an ideology and as such, it encompasses the totality of the represented universe. Because reality is only captured through ideology, there is no criterion in the novel that is outside ideology and which would therefore offer a critical standpoint, though this criterion does exist by implication in the world of the reader.
url http://newprairiepress.org/sttcl/vol14/iss1/4
work_keys_str_mv AT julioortega pedroparamoametaphorfortheendoftheworld
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