Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez

Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez

Sara Gómez, the first Afro-Cuban female director, tried to capture and denounce in her movies the forms of power and domination that have become naturalized by the colonial social structures and which, regardless of the fact that the Revolution had declared them obsolete, continue to reproduce thems...

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Bibliographic Details
Main Author: Laurence H. Mullaly
Format: Article
Language:English
Published: Université des Antilles 2020-05-01
Series:Études Caribéennes
Subjects:
Sara Gómez
Cuban revolutionary cinema
afrofeminism
One way or another
Online Access:http://journals.openedition.org/etudescaribeennes/17617
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spelling doaj-a11ab2036f8a4039974ce3cbe424f56b2020-11-25T03:28:26ZengUniversité des AntillesÉtudes Caribéennes1779-09802020-05-01410.4000/etudescaribeennes.17617Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara GómezLaurence H. MullalySara Gómez, the first Afro-Cuban female director, tried to capture and denounce in her movies the forms of power and domination that have become naturalized by the colonial social structures and which, regardless of the fact that the Revolution had declared them obsolete, continue to reproduce themselves and maintain asymetrical relationships in place. De cierta manera (One way or another) brings to the screen and questions from an original perspective the longevity of these ethnical and racial hierarchies, founded on gender and class, in the new Cuban society.http://journals.openedition.org/etudescaribeennes/17617Sara GómezCuban revolutionary cinemaafrofeminismOne way or another
collection DOAJ
language English
format Article
sources DOAJ
author Laurence H. Mullaly
spellingShingle Laurence H. Mullaly
Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez
Études Caribéennes
Sara Gómez
Cuban revolutionary cinema
afrofeminism
One way or another
author_facet Laurence H. Mullaly
author_sort Laurence H. Mullaly
title Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez
title_short Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez
title_full Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez
title_fullStr Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez
title_full_unstemmed Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez
title_sort rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según sara gómez
publisher Université des Antilles
series Études Caribéennes
issn 1779-0980
publishDate 2020-05-01
description Sara Gómez, the first Afro-Cuban female director, tried to capture and denounce in her movies the forms of power and domination that have become naturalized by the colonial social structures and which, regardless of the fact that the Revolution had declared them obsolete, continue to reproduce themselves and maintain asymetrical relationships in place. De cierta manera (One way or another) brings to the screen and questions from an original perspective the longevity of these ethnical and racial hierarchies, founded on gender and class, in the new Cuban society.
topic Sara Gómez
Cuban revolutionary cinema
afrofeminism
One way or another
url http://journals.openedition.org/etudescaribeennes/17617
work_keys_str_mv AT laurencehmullaly rastrosdelaesclavitudenlasociedadrevolucionariacubanalaislasegunsaragomez
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