The Dialectic of the Living Body (the actor) and the Dead Body (the Sinography Item) in the Construction of the Staged Image of the Play
The current research deals with the dialectical relationship resulting from the conflict in the violent combination and construction of the living ( the actor)and the dead (the item) in the structure of the Sinography construction and the emergence of the theatrical play space , which can be summed...
Main Authors: | Jasim Kadim Abd, Emad Hadi Abbas |
---|---|
Format: | Article |
Language: | Arabic |
Published: |
College of Fine Arts / University of Baghdad
2019-03-01
|
Series: | الاكاديمي |
Subjects: | |
Online Access: | https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/52 |
Similar Items
-
Arthur Lessac: an essay on Body energies in actor’s training
by: Maria Regina Tocchetto de Oliveira
Published: (2013-07-01) -
The Physical Performance Of The Actor Within The Shows Of Anas Abdul Samad ( the play silence as the cry as a model)
by: Haleem Hatif Jasim
Published: (2021-06-01) -
A hermeneutic phenomenological interpretation of the lived experiences of nursing students with regards to death and dead bodies
by: Chinomso Ugochukwu Nwozichi
Published: (2015-01-01) -
ATPase activity of the DEAD-box protein Dhh1 controls processing body formation
by: Christopher Frederick Mugler, et al.
Published: (2016-10-01) -
The Actors’ Bodies in TV series LOST
by: Sylvaine Bataille, et al.
Published: (2016-04-01)