La musicalización de textos poéticos como crítica literaria y el desplazamiento entre alta cultura y cultura de masas. Una lectura sobre el disco Caja de música de Pedro Aznar
This article analyses the musicalization of poems from Jorge Luis Borges carried out by the musician Pedro Aznar within the record Caja de música (2000). With the aim to establish the manner this intermedial proceeding can be seen as a creative act and, simultaneously, as a cri...
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| Format: | Article |
| Language: | English |
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Universidad de La Serena
2018-06-01
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| Series: | Logos: Revista de Lingüística, Literatura y Filosofía |
| Online Access: | http://revistas.userena.cl/index.php/logos/article/view/957 |
| Summary: | This article analyses the musicalization of poems from Jorge Luis Borges carried out by the musician Pedro Aznar within the record Caja de música (2000). With the aim to establish the manner this intermedial proceeding can be seen as a creative act and, simultaneously, as a critical stance on the borgean poetry. Additionally, specific concepts used in the musicalization process are presented, and the way the high culture and mass culture are linked in Aznar’s record though the union of scholar poetry with popular music. |
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| ISSN: | 0716-7520 0719-3262 |