La pulsione di morte di Pier della Vigna
This paper aims to analyse canto XIII of Dante’s Inferno, on the basis of Lee Edelman’s queer theory, outlined in his book No Future. In the first part, I draw inspiration from the metaphor used by Pier della Vigna to describe his relationship with Frederick II of Swabia, on the background of the c...
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Università di Pisa
2021-06-01
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Online Access: | https://whatever.cirque.unipi.it/index.php/journal/article/view/120 |
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doaj-9fca3f5a221842db9b62cc7d21b7ccaf2021-07-22T17:31:53ZengUniversità di PisaWhatever2611-657X2021-06-014110.13131/2611-657X.whatever.v4i1.120La pulsione di morte di Pier della VignaAlessandro De Laurentiis0Scuola Normale Superiore, Università di Pisa This paper aims to analyse canto XIII of Dante’s Inferno, on the basis of Lee Edelman’s queer theory, outlined in his book No Future. In the first part, I draw inspiration from the metaphor used by Pier della Vigna to describe his relationship with Frederick II of Swabia, on the background of the courtly cultural horizon. In this relationship lies a short circuit between the love field and the political field, which is the direct cause of Piero’s suicide and of the articulation of the contrappasso in the wood of suicides. In the second part, I analyse the stigmatisation that the text addresses against the homo-social relationship between Piero and Federico. This relationship appears to be an anomaly for the teleological horizon of the Commedia. On the basis of what Edelman stated in No Future, one can look at Pier della Vigna as a queer character, marked by the affirmation of jouissance in the present and the rejection of a meaning based on procreative futurism. https://whatever.cirque.unipi.it/index.php/journal/article/view/120Metafora erotica; vassallaggio; sado-masochismo; modello eteronormativo; jouissance. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Alessandro De Laurentiis |
spellingShingle |
Alessandro De Laurentiis La pulsione di morte di Pier della Vigna Whatever Metafora erotica; vassallaggio; sado-masochismo; modello eteronormativo; jouissance. |
author_facet |
Alessandro De Laurentiis |
author_sort |
Alessandro De Laurentiis |
title |
La pulsione di morte di Pier della Vigna |
title_short |
La pulsione di morte di Pier della Vigna |
title_full |
La pulsione di morte di Pier della Vigna |
title_fullStr |
La pulsione di morte di Pier della Vigna |
title_full_unstemmed |
La pulsione di morte di Pier della Vigna |
title_sort |
la pulsione di morte di pier della vigna |
publisher |
Università di Pisa |
series |
Whatever |
issn |
2611-657X |
publishDate |
2021-06-01 |
description |
This paper aims to analyse canto XIII of Dante’s Inferno, on the basis of Lee Edelman’s queer theory, outlined in his book No Future. In the first part, I draw inspiration from the metaphor used by Pier della Vigna to describe his relationship with Frederick II of Swabia, on the background of the courtly cultural horizon. In this relationship lies a short circuit between the love field and the political field, which is the direct cause of Piero’s suicide and of the articulation of the contrappasso in the wood of suicides. In the second part, I analyse the stigmatisation that the text addresses against the homo-social relationship between Piero and Federico. This relationship appears to be an anomaly for the teleological horizon of the Commedia. On the basis of what Edelman stated in No Future, one can look at Pier della Vigna as a queer character, marked by the affirmation of jouissance in the present and the rejection of a meaning based on procreative futurism.
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topic |
Metafora erotica; vassallaggio; sado-masochismo; modello eteronormativo; jouissance. |
url |
https://whatever.cirque.unipi.it/index.php/journal/article/view/120 |
work_keys_str_mv |
AT alessandrodelaurentiis lapulsionedimortedipierdellavigna |
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