CULTURAL INDUSTRIES: CLONING OF IDEAS AND MEANINGS

Despite the obvious interest of the media to cultural industries, this specific segment of the intellectual market still remains outside the focus of sociological interest. For example, “products with subtext” deserve our close attention for they are responsible for the ideological consistency of th...

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Main Authors: V N Davydov, A I Arshinova, S Sofoklis
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2018-12-01
Series:RUDN journal of Sociology
Subjects:
Online Access:http://journals.rudn.ru/sociology/article/viewFile/19769/16332
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spelling doaj-9fb95005e08f460caf7e0022dd1c20a92020-11-24T23:32:58ZengPeoples’ Friendship University of Russia (RUDN University)RUDN journal of Sociology2313-22722408-88972018-12-0118477678610.22363/2313-2272-2018-18-4-776-78616996CULTURAL INDUSTRIES: CLONING OF IDEAS AND MEANINGSV N Davydov0A I Arshinova1S Sofoklis2RUDN UniversityEducation Committee of the State Duma of the Federal AssemblyCyprus newspaper “HARAVGI”Despite the obvious interest of the media to cultural industries, this specific segment of the intellectual market still remains outside the focus of sociological interest. For example, “products with subtext” deserve our close attention for they are responsible for the ideological consistency of the information society especially due to the fact that information technologies, having become part of the production chains of cultural industries, have significantly expanded the functions of education and leisure. The seemingly heterogeneous productions of ideas and meanings are quite similar and unified in the elaboration of the repertoire, creation of the cult of the hero of his time and the culture of consumption of information products. E. Morin mentioned that creative technologies possess the “ability to standardize great romantic themes, thus, transforming archetypes into stereotypes”. Under the widespread digitization of production, this process has gained unprecedented dynamics, scale, ideological orientation and material interest. The persisting dramas of the Cold War and the post-Soviet conflicts prove that the “smart power” of Russia’s opponents is quite effective. On the one hand, it consolidates the public opinion of other countries, and, on the other hand, deforms the political culture of the object of its influence by sophisticated manipulations of the world picture of the younger generations. Investors of cultural industries not only invest in the expansion of a profitable intellectual business but also serve the political reproduction of power, which, in turn, provides optimal conditions for the “dual-use products” entering foreign information fields and cultural spaces. Whether or not the Russian society is ready to neutralize and counter the new class of information threats - the authors consider this and some other debatable issues.http://journals.rudn.ru/sociology/article/viewFile/19769/16332algorithmic thinkingcreative technologiescultural industries“smart power”search thinkingnetwork projectsinformational expansionaesthetic communication
collection DOAJ
language English
format Article
sources DOAJ
author V N Davydov
A I Arshinova
S Sofoklis
spellingShingle V N Davydov
A I Arshinova
S Sofoklis
CULTURAL INDUSTRIES: CLONING OF IDEAS AND MEANINGS
RUDN journal of Sociology
algorithmic thinking
creative technologies
cultural industries
“smart power”
search thinking
network projects
informational expansion
aesthetic communication
author_facet V N Davydov
A I Arshinova
S Sofoklis
author_sort V N Davydov
title CULTURAL INDUSTRIES: CLONING OF IDEAS AND MEANINGS
title_short CULTURAL INDUSTRIES: CLONING OF IDEAS AND MEANINGS
title_full CULTURAL INDUSTRIES: CLONING OF IDEAS AND MEANINGS
title_fullStr CULTURAL INDUSTRIES: CLONING OF IDEAS AND MEANINGS
title_full_unstemmed CULTURAL INDUSTRIES: CLONING OF IDEAS AND MEANINGS
title_sort cultural industries: cloning of ideas and meanings
publisher Peoples’ Friendship University of Russia (RUDN University)
series RUDN journal of Sociology
issn 2313-2272
2408-8897
publishDate 2018-12-01
description Despite the obvious interest of the media to cultural industries, this specific segment of the intellectual market still remains outside the focus of sociological interest. For example, “products with subtext” deserve our close attention for they are responsible for the ideological consistency of the information society especially due to the fact that information technologies, having become part of the production chains of cultural industries, have significantly expanded the functions of education and leisure. The seemingly heterogeneous productions of ideas and meanings are quite similar and unified in the elaboration of the repertoire, creation of the cult of the hero of his time and the culture of consumption of information products. E. Morin mentioned that creative technologies possess the “ability to standardize great romantic themes, thus, transforming archetypes into stereotypes”. Under the widespread digitization of production, this process has gained unprecedented dynamics, scale, ideological orientation and material interest. The persisting dramas of the Cold War and the post-Soviet conflicts prove that the “smart power” of Russia’s opponents is quite effective. On the one hand, it consolidates the public opinion of other countries, and, on the other hand, deforms the political culture of the object of its influence by sophisticated manipulations of the world picture of the younger generations. Investors of cultural industries not only invest in the expansion of a profitable intellectual business but also serve the political reproduction of power, which, in turn, provides optimal conditions for the “dual-use products” entering foreign information fields and cultural spaces. Whether or not the Russian society is ready to neutralize and counter the new class of information threats - the authors consider this and some other debatable issues.
topic algorithmic thinking
creative technologies
cultural industries
“smart power”
search thinking
network projects
informational expansion
aesthetic communication
url http://journals.rudn.ru/sociology/article/viewFile/19769/16332
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AT aiarshinova culturalindustriescloningofideasandmeanings
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