Patrimoine naturel et médiations visuelles : les solutions du paysage

This article questions the notion of natural heritage from the perspective of one of its symbolic representations : the landscape. Since heritage and landscape are not ontological objects but rather cultural constructs, the study focuses on the semiotic and historic processes which preside over thei...

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Main Author: Catherine Saouter
Format: Article
Language:fra
Published: Éditions en environnement VertigO 2013-05-01
Series:VertigO
Subjects:
Online Access:http://journals.openedition.org/vertigo/13729
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spelling doaj-9f7ea4ed5aac4359a8b25d41ec76e5882021-09-02T15:29:51ZfraÉditions en environnement VertigOVertigO1492-84422013-05-011610.4000/vertigo.13729Patrimoine naturel et médiations visuelles : les solutions du paysageCatherine SaouterThis article questions the notion of natural heritage from the perspective of one of its symbolic representations : the landscape. Since heritage and landscape are not ontological objects but rather cultural constructs, the study focuses on the semiotic and historic processes which preside over their invention and their interrelation, in order to identify the tensions and contradictions at work in the process of considering nature as heritage. Three inventions make up the prerequisites for this process : nature, a way of looking and landscape. The study presents, diachronically, the historic milestones of this process which originates, in the Western world, during the Renaissance period. From then on, the emergence of the paradigm of modernity slowly leads to an alliance, fully achieved during the 19th century, between intellectual curiosity, scientific systematization and aesthetic emotion. This alliance is key to the development of the contemporary taste for natural heritage, as it is reflected in Unesco’s agreement on the subject. However, the standpoint in favor of heritage, by overvaluing the aesthetics of the landscape, creates the illusion of preserving nature and can even hinder this very preservation. The study of landscape therefore reveals the paradox and the inner contradictions of the project to consider nature as heritage.http://journals.openedition.org/vertigo/13729natural heritagelandscaperepresentationnaturegazecelebration
collection DOAJ
language fra
format Article
sources DOAJ
author Catherine Saouter
spellingShingle Catherine Saouter
Patrimoine naturel et médiations visuelles : les solutions du paysage
VertigO
natural heritage
landscape
representation
nature
gaze
celebration
author_facet Catherine Saouter
author_sort Catherine Saouter
title Patrimoine naturel et médiations visuelles : les solutions du paysage
title_short Patrimoine naturel et médiations visuelles : les solutions du paysage
title_full Patrimoine naturel et médiations visuelles : les solutions du paysage
title_fullStr Patrimoine naturel et médiations visuelles : les solutions du paysage
title_full_unstemmed Patrimoine naturel et médiations visuelles : les solutions du paysage
title_sort patrimoine naturel et médiations visuelles : les solutions du paysage
publisher Éditions en environnement VertigO
series VertigO
issn 1492-8442
publishDate 2013-05-01
description This article questions the notion of natural heritage from the perspective of one of its symbolic representations : the landscape. Since heritage and landscape are not ontological objects but rather cultural constructs, the study focuses on the semiotic and historic processes which preside over their invention and their interrelation, in order to identify the tensions and contradictions at work in the process of considering nature as heritage. Three inventions make up the prerequisites for this process : nature, a way of looking and landscape. The study presents, diachronically, the historic milestones of this process which originates, in the Western world, during the Renaissance period. From then on, the emergence of the paradigm of modernity slowly leads to an alliance, fully achieved during the 19th century, between intellectual curiosity, scientific systematization and aesthetic emotion. This alliance is key to the development of the contemporary taste for natural heritage, as it is reflected in Unesco’s agreement on the subject. However, the standpoint in favor of heritage, by overvaluing the aesthetics of the landscape, creates the illusion of preserving nature and can even hinder this very preservation. The study of landscape therefore reveals the paradox and the inner contradictions of the project to consider nature as heritage.
topic natural heritage
landscape
representation
nature
gaze
celebration
url http://journals.openedition.org/vertigo/13729
work_keys_str_mv AT catherinesaouter patrimoinenatureletmediationsvisuelleslessolutionsdupaysage
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