Live, feel, forget: apostasy in the trajectory of Rachel de Queiroz
This article presents some thoughts about the multiple identities and versions of herself that permeate the narratives of the writer Rachel de Queiroz. The focus is on the nets of sociabilities, the affections and the feelings that passed and emerged through the process of her split up with the Comm...
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Universidade Federal da Grande Dourados
2020-12-01
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Online Access: | https://ojs.ufgd.edu.br/index.php/FRONTEIRAS/article/view/13261 |
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doaj-9f779a5c57cb401fb855786610457fc52021-02-01T19:14:55ZporUniversidade Federal da Grande DouradosFronteiras2175-07422020-12-012240112910.30612/frh.v22i40.132615452Live, feel, forget: apostasy in the trajectory of Rachel de QueirozPlauto Daniel Santos Alves0Beatriz Rodrigues1Universidade Estadual do Ceará (UFC)Universidade Estadual de Maringá (UEM)This article presents some thoughts about the multiple identities and versions of herself that permeate the narratives of the writer Rachel de Queiroz. The focus is on the nets of sociabilities, the affections and the feelings that passed and emerged through the process of her split up with the Communist Party. There fore,specific categories of intellectual history’s field (like the concept of microclimate) and the studies focused on the memory (like the notion of forgetting) are important. The research allows nuancing and perceiving the tensions and the silences that pervade both the puerile and youthful identity and the more intellectualized identity circumscribed to the author’s maturity. It is clear that Rachel de Queiroz’ rupture with the lefts does not have a definitive mark. It was a gradual and a diffuse process occurred between 1935 and 1940, sometimes marked by approximations, sometimes by distances and composed by an intricate affective network. Thus the historical, politic and literary plots of Rachel de Queiroz compose a complex scenario of her identities, in which the feelings, affections, desires, fears, pains, among others elements of the writer’s sensitivity, are intertwined.https://ojs.ufgd.edu.br/index.php/FRONTEIRAS/article/view/13261identidade. memória. sociabilidade. intelectuais. rachel de queiroz. |
collection |
DOAJ |
language |
Portuguese |
format |
Article |
sources |
DOAJ |
author |
Plauto Daniel Santos Alves Beatriz Rodrigues |
spellingShingle |
Plauto Daniel Santos Alves Beatriz Rodrigues Live, feel, forget: apostasy in the trajectory of Rachel de Queiroz Fronteiras identidade. memória. sociabilidade. intelectuais. rachel de queiroz. |
author_facet |
Plauto Daniel Santos Alves Beatriz Rodrigues |
author_sort |
Plauto Daniel Santos Alves |
title |
Live, feel, forget: apostasy in the trajectory of Rachel de Queiroz |
title_short |
Live, feel, forget: apostasy in the trajectory of Rachel de Queiroz |
title_full |
Live, feel, forget: apostasy in the trajectory of Rachel de Queiroz |
title_fullStr |
Live, feel, forget: apostasy in the trajectory of Rachel de Queiroz |
title_full_unstemmed |
Live, feel, forget: apostasy in the trajectory of Rachel de Queiroz |
title_sort |
live, feel, forget: apostasy in the trajectory of rachel de queiroz |
publisher |
Universidade Federal da Grande Dourados |
series |
Fronteiras |
issn |
2175-0742 |
publishDate |
2020-12-01 |
description |
This article presents some thoughts about the multiple identities and versions of herself that permeate the narratives of the writer Rachel de Queiroz. The focus is on the nets of sociabilities, the affections and the feelings that passed and emerged through the process of her split up with the Communist Party. There fore,specific categories of intellectual history’s field (like the concept of microclimate) and the studies focused on the memory (like the notion of forgetting) are important. The research allows nuancing and perceiving the tensions and the silences that pervade both the puerile and youthful identity and the more intellectualized identity circumscribed to the author’s maturity. It is clear that Rachel de Queiroz’ rupture with the lefts does not have a definitive mark. It was a gradual and a diffuse process occurred between 1935 and 1940, sometimes marked by approximations, sometimes by distances and composed by an intricate affective network. Thus the historical, politic and literary plots of Rachel de Queiroz compose a complex scenario of her identities, in which the feelings, affections, desires, fears, pains, among others elements of the writer’s sensitivity, are intertwined. |
topic |
identidade. memória. sociabilidade. intelectuais. rachel de queiroz. |
url |
https://ojs.ufgd.edu.br/index.php/FRONTEIRAS/article/view/13261 |
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