<b>Dalit women life-narratives and literature as experience
Jacques Ranciere (2011, p. 53) observes that rather than create works of art, contemporary artists want to get out of the museum “[...] and induce alterations in the space of everyday life, generating new forms of relations”. In this context, the aim of this paper is to discuss the power of literatu...
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doaj-9f449ddec8e84616b0302649a6ed48722021-05-02T02:18:10ZengUniversidade Estadual de MaringáActa Scientiarum : Language and Culture1983-46751983-46832015-04-01371253610.4025/actascilangcult.v37i1.2393011874<b>Dalit women life-narratives and literature as experienceCielo Griselda Festino0Universidade PaulistaJacques Ranciere (2011, p. 53) observes that rather than create works of art, contemporary artists want to get out of the museum “[...] and induce alterations in the space of everyday life, generating new forms of relations”. In this context, the aim of this paper is to discuss the power of literature to turn experience into life-narratives that will eventually give rise to a differentiated kind of social experience (SMITH; WATSON, 2010), through the reading of the novel Sangati (1994) by the Indian Dalit writer Bama. In order to make visible the experiences of the Dalit women, Bama rewrites the genre autobiography, as understood in the West, since in her narrative the voice of the community imposes itself upon the voice of the individual. In so doing, she changes the quality and style of canonical narratives considered as literary so that they will accommodate the stories of silenced people articulated through a differentiated kind of aesthetics.http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/23930Dalitlife-narrativesaesthetics |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Cielo Griselda Festino |
spellingShingle |
Cielo Griselda Festino <b>Dalit women life-narratives and literature as experience Acta Scientiarum : Language and Culture Dalit life-narratives aesthetics |
author_facet |
Cielo Griselda Festino |
author_sort |
Cielo Griselda Festino |
title |
<b>Dalit women life-narratives and literature as experience |
title_short |
<b>Dalit women life-narratives and literature as experience |
title_full |
<b>Dalit women life-narratives and literature as experience |
title_fullStr |
<b>Dalit women life-narratives and literature as experience |
title_full_unstemmed |
<b>Dalit women life-narratives and literature as experience |
title_sort |
<b>dalit women life-narratives and literature as experience |
publisher |
Universidade Estadual de Maringá |
series |
Acta Scientiarum : Language and Culture |
issn |
1983-4675 1983-4683 |
publishDate |
2015-04-01 |
description |
Jacques Ranciere (2011, p. 53) observes that rather than create works of art, contemporary artists want to get out of the museum “[...] and induce alterations in the space of everyday life, generating new forms of relations”. In this context, the aim of this paper is to discuss the power of literature to turn experience into life-narratives that will eventually give rise to a differentiated kind of social experience (SMITH; WATSON, 2010), through the reading of the novel Sangati (1994) by the Indian Dalit writer Bama. In order to make visible the experiences of the Dalit women, Bama rewrites the genre autobiography, as understood in the West, since in her narrative the voice of the community imposes itself upon the voice of the individual. In so doing, she changes the quality and style of canonical narratives considered as literary so that they will accommodate the stories of silenced people articulated through a differentiated kind of aesthetics. |
topic |
Dalit life-narratives aesthetics |
url |
http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/23930 |
work_keys_str_mv |
AT cielogriseldafestino bdalitwomenlifenarrativesandliteratureasexperience |
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1721496196369874944 |