<b>Dalit women life-narratives and literature as experience

Jacques Ranciere (2011, p. 53) observes that rather than create works of art, contemporary artists want to get out of the museum “[...] and induce alterations in the space of everyday life, generating new forms of relations”. In this context, the aim of this paper is to discuss the power of literatu...

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Main Author: Cielo Griselda Festino
Format: Article
Language:English
Published: Universidade Estadual de Maringá 2015-04-01
Series:Acta Scientiarum : Language and Culture
Subjects:
Online Access:http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/23930
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spelling doaj-9f449ddec8e84616b0302649a6ed48722021-05-02T02:18:10ZengUniversidade Estadual de MaringáActa Scientiarum : Language and Culture1983-46751983-46832015-04-01371253610.4025/actascilangcult.v37i1.2393011874<b>Dalit women life-narratives and literature as experienceCielo Griselda Festino0Universidade PaulistaJacques Ranciere (2011, p. 53) observes that rather than create works of art, contemporary artists want to get out of the museum “[...] and induce alterations in the space of everyday life, generating new forms of relations”. In this context, the aim of this paper is to discuss the power of literature to turn experience into life-narratives that will eventually give rise to a differentiated kind of social experience (SMITH; WATSON, 2010), through the reading of the novel Sangati (1994) by the Indian Dalit writer Bama. In order to make visible the experiences of the Dalit women, Bama rewrites the genre autobiography, as understood in the West, since in her narrative the voice of the community imposes itself upon the voice of the individual. In so doing, she changes the quality and style of canonical narratives considered as literary so that they will accommodate the stories of silenced people articulated through a differentiated kind of aesthetics.http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/23930Dalitlife-narrativesaesthetics
collection DOAJ
language English
format Article
sources DOAJ
author Cielo Griselda Festino
spellingShingle Cielo Griselda Festino
<b>Dalit women life-narratives and literature as experience
Acta Scientiarum : Language and Culture
Dalit
life-narratives
aesthetics
author_facet Cielo Griselda Festino
author_sort Cielo Griselda Festino
title <b>Dalit women life-narratives and literature as experience
title_short <b>Dalit women life-narratives and literature as experience
title_full <b>Dalit women life-narratives and literature as experience
title_fullStr <b>Dalit women life-narratives and literature as experience
title_full_unstemmed <b>Dalit women life-narratives and literature as experience
title_sort <b>dalit women life-narratives and literature as experience
publisher Universidade Estadual de Maringá
series Acta Scientiarum : Language and Culture
issn 1983-4675
1983-4683
publishDate 2015-04-01
description Jacques Ranciere (2011, p. 53) observes that rather than create works of art, contemporary artists want to get out of the museum “[...] and induce alterations in the space of everyday life, generating new forms of relations”. In this context, the aim of this paper is to discuss the power of literature to turn experience into life-narratives that will eventually give rise to a differentiated kind of social experience (SMITH; WATSON, 2010), through the reading of the novel Sangati (1994) by the Indian Dalit writer Bama. In order to make visible the experiences of the Dalit women, Bama rewrites the genre autobiography, as understood in the West, since in her narrative the voice of the community imposes itself upon the voice of the individual. In so doing, she changes the quality and style of canonical narratives considered as literary so that they will accommodate the stories of silenced people articulated through a differentiated kind of aesthetics.
topic Dalit
life-narratives
aesthetics
url http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/23930
work_keys_str_mv AT cielogriseldafestino bdalitwomenlifenarrativesandliteratureasexperience
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