| Summary: | The reflection on language and on the experience of limits which characterizes modern literature has in literary worksoften taken the form of a contradictory debate over the female figure and gender. La ciudad ausente explores the imaginary of the [im]possible sex and of the journey of the female other with an original device in which the allegorization of the textual functioning and the fictionalization of a subversive femininity converge, apart from the evocation of some important models in the author's literary canon. This article analyzes the meaning of gender myths [the marginal and rebel woman] and the variants in the narrative of origins of the literary creation, as well as the representation of the phantasmal artist-work couple in the novel, concluding with an evaluation of the same issue in the opera script and performance
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