Images of the imagined city

<p>The essay investigates one of the projects in the competition for the expansion of the North area of Palermo named ZEN 2 and designed by the architects Pasquale Culotta, Giuseppe Laudicina, Teresa Cannarozzo, Anna Maria Fundarò and Tilde Marra, in 1970. The essay aims at illustrating the sp...

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Main Authors: Francesco Maggio, Giuseppe Genzardi
Format: Article
Language:English
Published: University of L'Aquila 2018-12-01
Series:Disegnare con
Subjects:
Online Access:http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/418
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spelling doaj-9f1f2b25d40d418ba87145161d00ea702021-07-14T13:58:23ZengUniversity of L'AquilaDisegnare con1828-59612018-12-01112118228Images of the imagined cityFrancesco Maggio0Giuseppe GenzardiUniversità degli Studi di Palermo<p>The essay investigates one of the projects in the competition for the expansion of the North area of Palermo named ZEN 2 and designed by the architects Pasquale Culotta, Giuseppe Laudicina, Teresa Cannarozzo, Anna Maria Fundarò and Tilde Marra, in 1970. The essay aims at illustrating the spatial, figurative and urban qualities of it. The analysis of the project has been guided by a written text and the graphic support, that is the project report and the attached drawings, in Indian Ink, made by the architects themselves, indeed very often fragmented and difficult to be interpreted. In this regard, the support of digital drawing in two-dimensional and three-dimensional form, based on the creation of a Revit model, has been fundamental. That was the moment of the static and spatial structures, and it permitted inedited visual restitutions of the project, that would have never emerged otherwise, together with new interpretative keys. Moreover, it has been possible to offer the three-dimensional and planimetric overview of the spatial complexity of the project exploiting the photographs and drawings of that time as a starting point (for example the one by Franco Purini of the winning project). They show the existing project in its conceptual moment and in its real architectural artifact.</p><p>DOI: <a href="https://doi.org/10.20365/disegnarecon.21.2018.8" rel="noopener" target="_blank">https://doi.org/10.20365/disegnarecon.21.2018.8</a></p><p> </p>http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/418redrawingprojectcityhistorynew images
collection DOAJ
language English
format Article
sources DOAJ
author Francesco Maggio
Giuseppe Genzardi
spellingShingle Francesco Maggio
Giuseppe Genzardi
Images of the imagined city
Disegnare con
redrawing
project
city
history
new images
author_facet Francesco Maggio
Giuseppe Genzardi
author_sort Francesco Maggio
title Images of the imagined city
title_short Images of the imagined city
title_full Images of the imagined city
title_fullStr Images of the imagined city
title_full_unstemmed Images of the imagined city
title_sort images of the imagined city
publisher University of L'Aquila
series Disegnare con
issn 1828-5961
publishDate 2018-12-01
description <p>The essay investigates one of the projects in the competition for the expansion of the North area of Palermo named ZEN 2 and designed by the architects Pasquale Culotta, Giuseppe Laudicina, Teresa Cannarozzo, Anna Maria Fundarò and Tilde Marra, in 1970. The essay aims at illustrating the spatial, figurative and urban qualities of it. The analysis of the project has been guided by a written text and the graphic support, that is the project report and the attached drawings, in Indian Ink, made by the architects themselves, indeed very often fragmented and difficult to be interpreted. In this regard, the support of digital drawing in two-dimensional and three-dimensional form, based on the creation of a Revit model, has been fundamental. That was the moment of the static and spatial structures, and it permitted inedited visual restitutions of the project, that would have never emerged otherwise, together with new interpretative keys. Moreover, it has been possible to offer the three-dimensional and planimetric overview of the spatial complexity of the project exploiting the photographs and drawings of that time as a starting point (for example the one by Franco Purini of the winning project). They show the existing project in its conceptual moment and in its real architectural artifact.</p><p>DOI: <a href="https://doi.org/10.20365/disegnarecon.21.2018.8" rel="noopener" target="_blank">https://doi.org/10.20365/disegnarecon.21.2018.8</a></p><p> </p>
topic redrawing
project
city
history
new images
url http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/418
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