The night, the music: a cognitive hypothesis
In this article I present a discussion, based on cognitive psychology and on philosophy, about the application of the metaphor ‘music as play,’ instead of the metaphor ‘music as language.’ In it I try to distinguish what is properly biological in our hearing system from what is cultural, in order to...
Main Author: | Maurício Dottori |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidade Estadual do Paraná
2020-02-01
|
Series: | Revista Vortex |
Subjects: | |
Online Access: | http://periodicos.unespar.edu.br/index.php/vortex/article/view/3389 |
Similar Items
-
Teaching and Learning Electronic Music Composition
by: Joachim Heintz
Published: (2020-02-01) -
Building Mobile Instruments for Improvised Musical Performance
by: Holzborn, Damon Russell
Published: (2013) -
The Experimental Composition Improvisation Continua Model: A Tool for Musical Analysis
by: Alister Spence
Published: (2021-03-01) -
Improvisation Methods: A Non-Idiomatic Improvisation Course for the Undergraduate Music Curriculum
by: Wood, Colin
Published: (2019) -
Pedagogical applications of the cognitive research on music improvisation
by: MIchele eBiasutti
Published: (2015-05-01)