Verse Letter from Gregory of Nazianzus to Vitalianus

The article offers a complex view of the poetic letter of Gregory of Nazianzus II, II, 3 Ad Vitalianum, which has not yet been the subject of modern criticism. The letter is a plea by Vitalianus’ banished sons for their father to take them back. Based on the manuscript tradition, the article’s autho...

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Main Author: Erika Brodňanská
Format: Article
Language:deu
Published: Aristotle University of Thessaloniki 2012-12-01
Series:Παρεκβολαί
Subjects:
Online Access:http://ejournals.lib.auth.gr/parekbolai/article/view/2997/2874
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spelling doaj-9f04545623de4082b6a486f3c0025f792021-08-02T19:57:48ZdeuAristotle University of ThessalonikiΠαρεκβολαί2241-02282012-12-0121109128Verse Letter from Gregory of Nazianzus to VitalianusErika BrodňanskáThe article offers a complex view of the poetic letter of Gregory of Nazianzus II, II, 3 Ad Vitalianum, which has not yet been the subject of modern criticism. The letter is a plea by Vitalianus’ banished sons for their father to take them back. Based on the manuscript tradition, the article’s author concludes that the fictional author of the letter is the son Phocas rather than Peter. The disrupted relationship between father and sons is reflected in both the content of the poem and the forms of salutations used: the seemingly positive epithets φέριστε, μακάρτατε, and φίλε; forms of address which directly express a certain distance and coldness (μέγα φέρτατε, ὦ ἄνα), or even animosity towards the father (ὀλοώτατε δαῖμον, ὦ κακόβουλε). The poetic letter has a concentric structure (A; B; C; D; E; F; G; F´; E´; D´; C´; B´; A´), with individual com­ponents linked for the most part thematically. The letter is written in dactylic hexameter. The most frequently used metre in the verses is the holodactyl, and the most frequent caesura is the caesura post tertium trochaeum. As far as the breach of Hermann’s bridge in verses is concerned, and based on the understanding of the term ‘word’ in metrics, the author of the article concludes that in the majority of cases the breach is only ‘visual’, and cannot be detected when listened to. Gregory did not avoid three true hiatuses; and in two verses, in order to keep the rhythm of dactylic hexameter, it is essential to measure a long syllable as a short one. However, metric errors may be related to prosodic licence.http://ejournals.lib.auth.gr/parekbolai/article/view/2997/2874Gregory of NazianzusByzantine Poetry
collection DOAJ
language deu
format Article
sources DOAJ
author Erika Brodňanská
spellingShingle Erika Brodňanská
Verse Letter from Gregory of Nazianzus to Vitalianus
Παρεκβολαί
Gregory of Nazianzus
Byzantine Poetry
author_facet Erika Brodňanská
author_sort Erika Brodňanská
title Verse Letter from Gregory of Nazianzus to Vitalianus
title_short Verse Letter from Gregory of Nazianzus to Vitalianus
title_full Verse Letter from Gregory of Nazianzus to Vitalianus
title_fullStr Verse Letter from Gregory of Nazianzus to Vitalianus
title_full_unstemmed Verse Letter from Gregory of Nazianzus to Vitalianus
title_sort verse letter from gregory of nazianzus to vitalianus
publisher Aristotle University of Thessaloniki
series Παρεκβολαί
issn 2241-0228
publishDate 2012-12-01
description The article offers a complex view of the poetic letter of Gregory of Nazianzus II, II, 3 Ad Vitalianum, which has not yet been the subject of modern criticism. The letter is a plea by Vitalianus’ banished sons for their father to take them back. Based on the manuscript tradition, the article’s author concludes that the fictional author of the letter is the son Phocas rather than Peter. The disrupted relationship between father and sons is reflected in both the content of the poem and the forms of salutations used: the seemingly positive epithets φέριστε, μακάρτατε, and φίλε; forms of address which directly express a certain distance and coldness (μέγα φέρτατε, ὦ ἄνα), or even animosity towards the father (ὀλοώτατε δαῖμον, ὦ κακόβουλε). The poetic letter has a concentric structure (A; B; C; D; E; F; G; F´; E´; D´; C´; B´; A´), with individual com­ponents linked for the most part thematically. The letter is written in dactylic hexameter. The most frequently used metre in the verses is the holodactyl, and the most frequent caesura is the caesura post tertium trochaeum. As far as the breach of Hermann’s bridge in verses is concerned, and based on the understanding of the term ‘word’ in metrics, the author of the article concludes that in the majority of cases the breach is only ‘visual’, and cannot be detected when listened to. Gregory did not avoid three true hiatuses; and in two verses, in order to keep the rhythm of dactylic hexameter, it is essential to measure a long syllable as a short one. However, metric errors may be related to prosodic licence.
topic Gregory of Nazianzus
Byzantine Poetry
url http://ejournals.lib.auth.gr/parekbolai/article/view/2997/2874
work_keys_str_mv AT erikabrodnanska verseletterfromgregoryofnazianzustovitalianus
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