The selfie generation: a transformation of visual social relationships

The selfie generation is a term commonly used to describe people born after 1981 because of the supposed proliferation of selfies they take daily. If Selfies indeed define a generation of people, then they require close consideration as an evolution of social interaction. This interdisciplinary stu...

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Main Author: Fiona Andreallo
Format: Article
Language:English
Published: Universidade do Minho 2019-07-01
Series:Vista
Subjects:
Online Access:https://revistavista.pt/index.php/vista/article/view/3019
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spelling doaj-9ec84357e71f4001b69c1677656c2c552021-05-19T10:20:03ZengUniversidade do MinhoVista2184-12842019-07-01410.21814/vista.3019The selfie generation: a transformation of visual social relationshipsFiona Andreallo0Department of Media and Communications, University of Sidney, Australia The selfie generation is a term commonly used to describe people born after 1981 because of the supposed proliferation of selfies they take daily. If Selfies indeed define a generation of people, then they require close consideration as an evolution of social interaction. This interdisciplinary study focuses on photography as performance of looking involving social relationships between people. I ask “How might selfies suggest a transformation of everyday social relationships?” The selfie as active photographic performance is first examined through illustrative ethnographic observation. Then as performative photographic object the selfie is examined as interactive (Kress & Van Leeuwen’s, 2006, 2009) visual communication. Finally, the performative spaces of the selfie in process (from initial performance, to object and as it is shared and moves between private and public spaces) is examined as relationships of proxemic perception (Hall, 1966). For the selfie generation the private spaces in social relationships has perhaps evolved not simply because of changes in photographic technology, but also new spaces of socialising where private and public contexts are often blurred and unfixed. https://revistavista.pt/index.php/vista/article/view/3019visualspaceperformanceproximityintimacyphotography
collection DOAJ
language English
format Article
sources DOAJ
author Fiona Andreallo
spellingShingle Fiona Andreallo
The selfie generation: a transformation of visual social relationships
Vista
visual
space
performance
proximity
intimacy
photography
author_facet Fiona Andreallo
author_sort Fiona Andreallo
title The selfie generation: a transformation of visual social relationships
title_short The selfie generation: a transformation of visual social relationships
title_full The selfie generation: a transformation of visual social relationships
title_fullStr The selfie generation: a transformation of visual social relationships
title_full_unstemmed The selfie generation: a transformation of visual social relationships
title_sort selfie generation: a transformation of visual social relationships
publisher Universidade do Minho
series Vista
issn 2184-1284
publishDate 2019-07-01
description The selfie generation is a term commonly used to describe people born after 1981 because of the supposed proliferation of selfies they take daily. If Selfies indeed define a generation of people, then they require close consideration as an evolution of social interaction. This interdisciplinary study focuses on photography as performance of looking involving social relationships between people. I ask “How might selfies suggest a transformation of everyday social relationships?” The selfie as active photographic performance is first examined through illustrative ethnographic observation. Then as performative photographic object the selfie is examined as interactive (Kress & Van Leeuwen’s, 2006, 2009) visual communication. Finally, the performative spaces of the selfie in process (from initial performance, to object and as it is shared and moves between private and public spaces) is examined as relationships of proxemic perception (Hall, 1966). For the selfie generation the private spaces in social relationships has perhaps evolved not simply because of changes in photographic technology, but also new spaces of socialising where private and public contexts are often blurred and unfixed.
topic visual
space
performance
proximity
intimacy
photography
url https://revistavista.pt/index.php/vista/article/view/3019
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