THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL

This paper is an attempt to investigate a new trend of media behaviour and to study an aspect of the non-journalistic practice of the media organization in the society in post-authoritarian Indonesia. It discusses the engagement of a major local media institution in the organization of the Surabaya...

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Main Author: Rachmah Ida
Format: Article
Language:English
Published: Universitas Gadjah Mada 2014-06-01
Series:Humaniora
Subjects:
Online Access:https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/5240
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spelling doaj-9eb53563ad2b4f34ae28961ce46930e52020-11-25T00:45:00ZengUniversitas Gadjah MadaHumaniora0852-08012302-92692014-06-0126217518610.22146/jh.v26i2.52404633THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVALRachmah Ida0Communication Department, Faculty of Social & Political Sciences, Universitas Airlangga, SurabayaThis paper is an attempt to investigate a new trend of media behaviour and to study an aspect of the non-journalistic practice of the media organization in the society in post-authoritarian Indonesia. It discusses the engagement of a major local media institution in the organization of the Surabaya Art Festival in the early 2000s. The involvement of one wealthy media institution, Jawa Pos, in the organization of Surabaya’s cultural art festival, therefore, could shape a new model of relationship between the media and the society in the Indonesian context. Based on interviews with several existing and ex-members of the festival committees and media documentations, this study argues that the political economy of the media interest has played a major role in determining the contents and management of the festival, disregarding the need to exhibit the remarkable cultural richness and innovations. In this particular cultural event, the media has played a significant role in supplying the funding for the festival, and consequently, the media control the power in conceptualising the city’s annual art festival since then. Yet, when the owner of the media institution chose to stop supporting the funding to the festival organization, the result was palpable. After the withdrawal of this major media magnate from the festival organization, the continuation of the Surabaya Art Festival has become troublesome and susceptible.https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/5240art festival, media interest, political economy media
collection DOAJ
language English
format Article
sources DOAJ
author Rachmah Ida
spellingShingle Rachmah Ida
THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL
Humaniora
art festival, media interest, political economy media
author_facet Rachmah Ida
author_sort Rachmah Ida
title THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL
title_short THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL
title_full THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL
title_fullStr THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL
title_full_unstemmed THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL
title_sort new link between art festival and the media: the engagement of a media institution in surabaya art festival
publisher Universitas Gadjah Mada
series Humaniora
issn 0852-0801
2302-9269
publishDate 2014-06-01
description This paper is an attempt to investigate a new trend of media behaviour and to study an aspect of the non-journalistic practice of the media organization in the society in post-authoritarian Indonesia. It discusses the engagement of a major local media institution in the organization of the Surabaya Art Festival in the early 2000s. The involvement of one wealthy media institution, Jawa Pos, in the organization of Surabaya’s cultural art festival, therefore, could shape a new model of relationship between the media and the society in the Indonesian context. Based on interviews with several existing and ex-members of the festival committees and media documentations, this study argues that the political economy of the media interest has played a major role in determining the contents and management of the festival, disregarding the need to exhibit the remarkable cultural richness and innovations. In this particular cultural event, the media has played a significant role in supplying the funding for the festival, and consequently, the media control the power in conceptualising the city’s annual art festival since then. Yet, when the owner of the media institution chose to stop supporting the funding to the festival organization, the result was palpable. After the withdrawal of this major media magnate from the festival organization, the continuation of the Surabaya Art Festival has become troublesome and susceptible.
topic art festival, media interest, political economy media
url https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/5240
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