MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA

MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA

The film image is the fusion of some components (image, music, sound effects, dialogue) made through editing, a means of expression that transfigures reality into an audiovisual image. The creating director gives attention to the sound throughout the film, finds the best visual adaptation, a way to...

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Bibliographic Details
Main Author: BURUIANĂ ANDREI
Format: Article
Language:deu
Published: Notograf Prim 2018-11-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
digital manipulation
film image
subjective image
sound processing
sound effects
post sync
editing
provisional and final mix
Online Access:http://revista.amtap.md/wp-content/files_mf/157252206614.buruiana.pdf
id doaj-9db501e20f4742f3a6b98e7524789733
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spelling doaj-9db501e20f4742f3a6b98e75247897332020-11-25T01:36:07ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312018-11-012(33)7177MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERABURUIANĂ ANDREI0Academy of Music, Theatre and Fine ArtsThe film image is the fusion of some components (image, music, sound effects, dialogue) made through editing, a means of expression that transfigures reality into an audiovisual image. The creating director gives attention to the sound throughout the film, finds the best visual adaptation, a way to create the subjective image that would fuse much better with the sound, enhancing the artistic impression. In both editing and mixing, we must take into account that the image-sound relationship consists in the fact that the sound complements the images, and the images, in turn, complement the sound. Otherwise, it is not about art, it is about a silent film with added sound.http://revista.amtap.md/wp-content/files_mf/157252206614.buruiana.pdfdigital manipulationfilm imagesubjective imagesound processingsound effectspost synceditingprovisional and final mix
collection DOAJ
language deu
format Article
sources DOAJ
author BURUIANĂ ANDREI
spellingShingle BURUIANĂ ANDREI
MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
digital manipulation
film image
subjective image
sound processing
sound effects
post sync
editing
provisional and final mix
author_facet BURUIANĂ ANDREI
author_sort BURUIANĂ ANDREI
title MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA
title_short MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA
title_full MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA
title_fullStr MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA
title_full_unstemmed MAKING THE SOUND OF A FICTION FILM IN THE DIGITAL ERA
title_sort making the sound of a fiction film in the digital era
publisher Notograf Prim
series Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
issn 2345-1408
2345-1831
publishDate 2018-11-01
description The film image is the fusion of some components (image, music, sound effects, dialogue) made through editing, a means of expression that transfigures reality into an audiovisual image. The creating director gives attention to the sound throughout the film, finds the best visual adaptation, a way to create the subjective image that would fuse much better with the sound, enhancing the artistic impression. In both editing and mixing, we must take into account that the image-sound relationship consists in the fact that the sound complements the images, and the images, in turn, complement the sound. Otherwise, it is not about art, it is about a silent film with added sound.
topic digital manipulation
film image
subjective image
sound processing
sound effects
post sync
editing
provisional and final mix
url http://revista.amtap.md/wp-content/files_mf/157252206614.buruiana.pdf
work_keys_str_mv AT buruianaandrei makingthesoundofafictionfilminthedigitalera
_version_ 1725063978262986752

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