“The Comedy about David and Galiad” in Context of Western European Drama of the 16th–17th Centuries

The article is devoted to “The Comedy about David and Galiad,” staged at the court of Tsar Alexey Mikhailovich in 1676, in the context of Western European drama of the 16th–17th centuries. The material was a mounting sheet of the comedy of 1676, plays by French playwrights of the 16th century and te...

Full description

Bibliographic Details
Main Author: М. V. Kaplun
Format: Article
Language:Russian
Published: Tsentr nauchnykh i obrazovatelnykh proektov 2020-09-01
Series:Научный диалог
Subjects:
Online Access:https://www.nauka-dialog.ru/jour/article/view/1932
id doaj-9d802a2ab7e84a27989587bf2c1e70cf
record_format Article
spelling doaj-9d802a2ab7e84a27989587bf2c1e70cf2021-09-30T08:36:42ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952020-09-010918820210.24224/2227-1295-2020-9-188-2021654“The Comedy about David and Galiad” in Context of Western European Drama of the 16th–17th CenturiesМ. V. Kaplun0А. M. Gorky Institute of World Literature of the Russian Academy of SciencesThe article is devoted to “The Comedy about David and Galiad,” staged at the court of Tsar Alexey Mikhailovich in 1676, in the context of Western European drama of the 16th–17th centuries. The material was a mounting sheet of the comedy of 1676, plays by French playwrights of the 16th century and texts of Russian court plays of the 1670s. The paper shows that the Russian comedy based on the story of David and Goliath fit well into the context of religious drama and could be correlated with the events of the Church reform in Russia. Special attention is paid to the comparative analysis of the plays of the French Calvinist playwrights Joachim de Coignac and Louis De Masur in order to identify common typological features of the Russian play and Western drama. The play ‘Temir-Aksakov Action” by Yu. M. Givner was brought to consideration in order to put forward a hypothesis about the possible author of the play of German origin. The author presents the latest development of the reconstruction of “The Comedy about David and Galiad,” based on a comparative approach and typological analysis of the literary and historical context of the 16th–17th centuries. The analysis shows the content aspect of the Russian play about David and Goliath, which incorporated the characteristic features of the Moscow court drama of the last third of the 17th century.https://www.nauka-dialog.ru/jour/article/view/1932comedydavid and goliathwestern european drama of the 16th–17th centuriesmounting sheetcourt theatergivner“temir-aksakov action”religious drama
collection DOAJ
language Russian
format Article
sources DOAJ
author М. V. Kaplun
spellingShingle М. V. Kaplun
“The Comedy about David and Galiad” in Context of Western European Drama of the 16th–17th Centuries
Научный диалог
comedy
david and goliath
western european drama of the 16th–17th centuries
mounting sheet
court theater
givner
“temir-aksakov action”
religious drama
author_facet М. V. Kaplun
author_sort М. V. Kaplun
title “The Comedy about David and Galiad” in Context of Western European Drama of the 16th–17th Centuries
title_short “The Comedy about David and Galiad” in Context of Western European Drama of the 16th–17th Centuries
title_full “The Comedy about David and Galiad” in Context of Western European Drama of the 16th–17th Centuries
title_fullStr “The Comedy about David and Galiad” in Context of Western European Drama of the 16th–17th Centuries
title_full_unstemmed “The Comedy about David and Galiad” in Context of Western European Drama of the 16th–17th Centuries
title_sort “the comedy about david and galiad” in context of western european drama of the 16th–17th centuries
publisher Tsentr nauchnykh i obrazovatelnykh proektov
series Научный диалог
issn 2225-756X
2227-1295
publishDate 2020-09-01
description The article is devoted to “The Comedy about David and Galiad,” staged at the court of Tsar Alexey Mikhailovich in 1676, in the context of Western European drama of the 16th–17th centuries. The material was a mounting sheet of the comedy of 1676, plays by French playwrights of the 16th century and texts of Russian court plays of the 1670s. The paper shows that the Russian comedy based on the story of David and Goliath fit well into the context of religious drama and could be correlated with the events of the Church reform in Russia. Special attention is paid to the comparative analysis of the plays of the French Calvinist playwrights Joachim de Coignac and Louis De Masur in order to identify common typological features of the Russian play and Western drama. The play ‘Temir-Aksakov Action” by Yu. M. Givner was brought to consideration in order to put forward a hypothesis about the possible author of the play of German origin. The author presents the latest development of the reconstruction of “The Comedy about David and Galiad,” based on a comparative approach and typological analysis of the literary and historical context of the 16th–17th centuries. The analysis shows the content aspect of the Russian play about David and Goliath, which incorporated the characteristic features of the Moscow court drama of the last third of the 17th century.
topic comedy
david and goliath
western european drama of the 16th–17th centuries
mounting sheet
court theater
givner
“temir-aksakov action”
religious drama
url https://www.nauka-dialog.ru/jour/article/view/1932
work_keys_str_mv AT mvkaplun thecomedyaboutdavidandgaliadincontextofwesterneuropeandramaofthe16th17thcenturies
_version_ 1716863496094744576