Le soleil devient un mythe
Starting from an enigmatic phrase in Flaubert’s correspondence, dating from 1858, this article examines the relation between the Sun and myth, which constitutes one of the key elements of the mythological dimension of Salammbô. It especially focuses on the treatment of this question in two represent...
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Series: | Flaubert: Revue Critique et Génétique |
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Online Access: | http://journals.openedition.org/flaubert/601 |
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doaj-9d68ffd53bc240369ace103e977732602020-11-25T03:40:05ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912009-01-01Le soleil devient un mytheIldikó LőrinszkyStarting from an enigmatic phrase in Flaubert’s correspondence, dating from 1858, this article examines the relation between the Sun and myth, which constitutes one of the key elements of the mythological dimension of Salammbô. It especially focuses on the treatment of this question in two representative works of mythographic studies, The Origin of All Religious Worship by Charles-François Dupuis, and Les Religions de l’Antiquité..., the French adaptation of Frédéric Creuzer’s Symbolik und Mythologie der alten Völker by Joseph-Daniel Guigniault. The French version of Creuzer’s great synthesis, supplied with a remarkable set of prints, was abundantly consulted by Flaubert when writing his Carthaginian novel. In Salammbô, myth takes on various forms. Analyzing this text might lead one to reconsider “the right way” to use myths — a problem all writers (and readers) find themselves confronted with.http://journals.openedition.org/flaubert/601Flaubert GustavemythreligionSalammbôDupuis Charles-FrançoisCreuzer Georg F. |
collection |
DOAJ |
language |
fra |
format |
Article |
sources |
DOAJ |
author |
Ildikó Lőrinszky |
spellingShingle |
Ildikó Lőrinszky Le soleil devient un mythe Flaubert: Revue Critique et Génétique Flaubert Gustave myth religion Salammbô Dupuis Charles-François Creuzer Georg F. |
author_facet |
Ildikó Lőrinszky |
author_sort |
Ildikó Lőrinszky |
title |
Le soleil devient un mythe |
title_short |
Le soleil devient un mythe |
title_full |
Le soleil devient un mythe |
title_fullStr |
Le soleil devient un mythe |
title_full_unstemmed |
Le soleil devient un mythe |
title_sort |
le soleil devient un mythe |
publisher |
Institut des Textes & Manuscrits Modernes (ITEM) |
series |
Flaubert: Revue Critique et Génétique |
issn |
1969-6191 |
publishDate |
2009-01-01 |
description |
Starting from an enigmatic phrase in Flaubert’s correspondence, dating from 1858, this article examines the relation between the Sun and myth, which constitutes one of the key elements of the mythological dimension of Salammbô. It especially focuses on the treatment of this question in two representative works of mythographic studies, The Origin of All Religious Worship by Charles-François Dupuis, and Les Religions de l’Antiquité..., the French adaptation of Frédéric Creuzer’s Symbolik und Mythologie der alten Völker by Joseph-Daniel Guigniault. The French version of Creuzer’s great synthesis, supplied with a remarkable set of prints, was abundantly consulted by Flaubert when writing his Carthaginian novel. In Salammbô, myth takes on various forms. Analyzing this text might lead one to reconsider “the right way” to use myths — a problem all writers (and readers) find themselves confronted with. |
topic |
Flaubert Gustave myth religion Salammbô Dupuis Charles-François Creuzer Georg F. |
url |
http://journals.openedition.org/flaubert/601 |
work_keys_str_mv |
AT ildikolorinszky lesoleildevientunmythe |
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