Authentic and play-acted vocal emotion expressions reveal acoustic differences

Play-acted emotional expressions are a frequent aspect in our life, ranging from deception to theatre, film and radio drama, to emotion research. To date, however, it remained unclear whether play-acted emotions correspond to spontaneous emotion expressions. To test whether acting influences the voc...

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Bibliographic Details
Main Authors: Rebecca eJürgens, Kurt eHammerschmidt, Julia eFischer
Format: Article
Language:English
Published: Frontiers Media S.A. 2011-07-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fpsyg.2011.00180/full
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spelling doaj-9d508fa1b10e4a4787a21a3e11c557c12020-11-25T00:59:00ZengFrontiers Media S.A.Frontiers in Psychology1664-10782011-07-01210.3389/fpsyg.2011.001809963Authentic and play-acted vocal emotion expressions reveal acoustic differencesRebecca eJürgens0Kurt eHammerschmidt1Julia eFischer2German Primate Center, Leibniz Insitute for Primate ResearchGerman Primate Center, Leibniz Insitute for Primate ResearchGerman Primate Center, Leibniz Insitute for Primate ResearchPlay-acted emotional expressions are a frequent aspect in our life, ranging from deception to theatre, film and radio drama, to emotion research. To date, however, it remained unclear whether play-acted emotions correspond to spontaneous emotion expressions. To test whether acting influences the vocal expression of emotion, we compared radio sequences of naturally occurring emotions to actors’ portrayals. It was hypothesized that play-acted expressions were performed in a more stereotyped and aroused fashion. Our results demonstrate that speech segments extracted from play-acted and authentic expressions differ in their voice quality. Additionally, the play-acted speech tokens revealed a more variable F0-contour. Despite these differences, the results did not support the hypothesis that the variation was due to changes in arousal. This analysis revealed that differences in perception of play-acted and authentic emotional stimuli reported previously cannot simply be attributed to differences in arousal, but by slight and implicitly perceptible differences in encoding.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2011.00180/fullEmotionsactingacoustic analysisAuthenticityvocal expressions
collection DOAJ
language English
format Article
sources DOAJ
author Rebecca eJürgens
Kurt eHammerschmidt
Julia eFischer
spellingShingle Rebecca eJürgens
Kurt eHammerschmidt
Julia eFischer
Authentic and play-acted vocal emotion expressions reveal acoustic differences
Frontiers in Psychology
Emotions
acting
acoustic analysis
Authenticity
vocal expressions
author_facet Rebecca eJürgens
Kurt eHammerschmidt
Julia eFischer
author_sort Rebecca eJürgens
title Authentic and play-acted vocal emotion expressions reveal acoustic differences
title_short Authentic and play-acted vocal emotion expressions reveal acoustic differences
title_full Authentic and play-acted vocal emotion expressions reveal acoustic differences
title_fullStr Authentic and play-acted vocal emotion expressions reveal acoustic differences
title_full_unstemmed Authentic and play-acted vocal emotion expressions reveal acoustic differences
title_sort authentic and play-acted vocal emotion expressions reveal acoustic differences
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2011-07-01
description Play-acted emotional expressions are a frequent aspect in our life, ranging from deception to theatre, film and radio drama, to emotion research. To date, however, it remained unclear whether play-acted emotions correspond to spontaneous emotion expressions. To test whether acting influences the vocal expression of emotion, we compared radio sequences of naturally occurring emotions to actors’ portrayals. It was hypothesized that play-acted expressions were performed in a more stereotyped and aroused fashion. Our results demonstrate that speech segments extracted from play-acted and authentic expressions differ in their voice quality. Additionally, the play-acted speech tokens revealed a more variable F0-contour. Despite these differences, the results did not support the hypothesis that the variation was due to changes in arousal. This analysis revealed that differences in perception of play-acted and authentic emotional stimuli reported previously cannot simply be attributed to differences in arousal, but by slight and implicitly perceptible differences in encoding.
topic Emotions
acting
acoustic analysis
Authenticity
vocal expressions
url http://journal.frontiersin.org/Journal/10.3389/fpsyg.2011.00180/full
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AT kurtehammerschmidt authenticandplayactedvocalemotionexpressionsrevealacousticdifferences
AT juliaefischer authenticandplayactedvocalemotionexpressionsrevealacousticdifferences
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