Authentic and play-acted vocal emotion expressions reveal acoustic differences
Play-acted emotional expressions are a frequent aspect in our life, ranging from deception to theatre, film and radio drama, to emotion research. To date, however, it remained unclear whether play-acted emotions correspond to spontaneous emotion expressions. To test whether acting influences the voc...
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doaj-9d508fa1b10e4a4787a21a3e11c557c12020-11-25T00:59:00ZengFrontiers Media S.A.Frontiers in Psychology1664-10782011-07-01210.3389/fpsyg.2011.001809963Authentic and play-acted vocal emotion expressions reveal acoustic differencesRebecca eJürgens0Kurt eHammerschmidt1Julia eFischer2German Primate Center, Leibniz Insitute for Primate ResearchGerman Primate Center, Leibniz Insitute for Primate ResearchGerman Primate Center, Leibniz Insitute for Primate ResearchPlay-acted emotional expressions are a frequent aspect in our life, ranging from deception to theatre, film and radio drama, to emotion research. To date, however, it remained unclear whether play-acted emotions correspond to spontaneous emotion expressions. To test whether acting influences the vocal expression of emotion, we compared radio sequences of naturally occurring emotions to actors’ portrayals. It was hypothesized that play-acted expressions were performed in a more stereotyped and aroused fashion. Our results demonstrate that speech segments extracted from play-acted and authentic expressions differ in their voice quality. Additionally, the play-acted speech tokens revealed a more variable F0-contour. Despite these differences, the results did not support the hypothesis that the variation was due to changes in arousal. This analysis revealed that differences in perception of play-acted and authentic emotional stimuli reported previously cannot simply be attributed to differences in arousal, but by slight and implicitly perceptible differences in encoding.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2011.00180/fullEmotionsactingacoustic analysisAuthenticityvocal expressions |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Rebecca eJürgens Kurt eHammerschmidt Julia eFischer |
spellingShingle |
Rebecca eJürgens Kurt eHammerschmidt Julia eFischer Authentic and play-acted vocal emotion expressions reveal acoustic differences Frontiers in Psychology Emotions acting acoustic analysis Authenticity vocal expressions |
author_facet |
Rebecca eJürgens Kurt eHammerschmidt Julia eFischer |
author_sort |
Rebecca eJürgens |
title |
Authentic and play-acted vocal emotion expressions reveal acoustic differences |
title_short |
Authentic and play-acted vocal emotion expressions reveal acoustic differences |
title_full |
Authentic and play-acted vocal emotion expressions reveal acoustic differences |
title_fullStr |
Authentic and play-acted vocal emotion expressions reveal acoustic differences |
title_full_unstemmed |
Authentic and play-acted vocal emotion expressions reveal acoustic differences |
title_sort |
authentic and play-acted vocal emotion expressions reveal acoustic differences |
publisher |
Frontiers Media S.A. |
series |
Frontiers in Psychology |
issn |
1664-1078 |
publishDate |
2011-07-01 |
description |
Play-acted emotional expressions are a frequent aspect in our life, ranging from deception to theatre, film and radio drama, to emotion research. To date, however, it remained unclear whether play-acted emotions correspond to spontaneous emotion expressions. To test whether acting influences the vocal expression of emotion, we compared radio sequences of naturally occurring emotions to actors’ portrayals. It was hypothesized that play-acted expressions were performed in a more stereotyped and aroused fashion. Our results demonstrate that speech segments extracted from play-acted and authentic expressions differ in their voice quality. Additionally, the play-acted speech tokens revealed a more variable F0-contour. Despite these differences, the results did not support the hypothesis that the variation was due to changes in arousal. This analysis revealed that differences in perception of play-acted and authentic emotional stimuli reported previously cannot simply be attributed to differences in arousal, but by slight and implicitly perceptible differences in encoding. |
topic |
Emotions acting acoustic analysis Authenticity vocal expressions |
url |
http://journal.frontiersin.org/Journal/10.3389/fpsyg.2011.00180/full |
work_keys_str_mv |
AT rebeccaejurgens authenticandplayactedvocalemotionexpressionsrevealacousticdifferences AT kurtehammerschmidt authenticandplayactedvocalemotionexpressionsrevealacousticdifferences AT juliaefischer authenticandplayactedvocalemotionexpressionsrevealacousticdifferences |
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