Gleaning and Dreaming on Car Park Beach
This article explores beachcombing and gleaning as practices that combine mobility with daydreaming and which allow us to experience our environment with the perception of ‘tactile nearness’ (Benjamin). Through eco-poetics shaped by ‘inconceivable analogies and connecti...
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doaj-9d35ec946e3b47fbb7fed6459f0f5d672020-11-24T22:46:56ZengMDPI AGHumanities2076-07872018-04-01723310.3390/h7020033h7020033Gleaning and Dreaming on Car Park BeachJo Croft0English Department, Liverpool John Moores University, Liverpool L3 5UZ, UKThis article explores beachcombing and gleaning as practices that combine mobility with daydreaming and which allow us to experience our environment with the perception of ‘tactile nearness’ (Benjamin). Through eco-poetics shaped by ‘inconceivable analogies and connections’ (Benjamin), the author re-imagines a neglected space used as a short-cut on the way to work—the Liverpool Adelphi car park in Liverpool—as “Car Park Beach”. Inspired by the situationists’ slogan ‘Sous les pavés, la plage’, the author argues that Car Park Beach opens up imaginative possibilities for a different form of ecological encounter with our own precarity, one ushered in by a ‘close-up’ awareness of how waste transforms our world. Car Park Beach is a site that the author associates with the drift-like, distracted movements of both people and matter, and this article therefore attempts to deploy an equivalent method of analysis. Drawing on her own practice of gleaning photos and objects on the way to work, the author places a vocabulary of flotsam and jetsam at the axis of her discussion. Allusive, often layered, connections are followed between a diverse range of sources including beachcombing guides, literary memoirs, documentary films, eco-criticism, and auto-ethnography.http://www.mdpi.com/2076-0787/7/2/33gleaningbeachcombingdaydreamingwaste matterrefrainAgnès Vardahaptic lookingeco-poetics |
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English |
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Jo Croft |
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Jo Croft Gleaning and Dreaming on Car Park Beach Humanities gleaning beachcombing daydreaming waste matter refrain Agnès Varda haptic looking eco-poetics |
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Jo Croft |
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Jo Croft |
title |
Gleaning and Dreaming on Car Park Beach |
title_short |
Gleaning and Dreaming on Car Park Beach |
title_full |
Gleaning and Dreaming on Car Park Beach |
title_fullStr |
Gleaning and Dreaming on Car Park Beach |
title_full_unstemmed |
Gleaning and Dreaming on Car Park Beach |
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gleaning and dreaming on car park beach |
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MDPI AG |
series |
Humanities |
issn |
2076-0787 |
publishDate |
2018-04-01 |
description |
This article explores beachcombing and gleaning as practices that combine mobility with daydreaming and which allow us to experience our environment with the perception of ‘tactile nearness’ (Benjamin). Through eco-poetics shaped by ‘inconceivable analogies and connections’ (Benjamin), the author re-imagines a neglected space used as a short-cut on the way to work—the Liverpool Adelphi car park in Liverpool—as “Car Park Beach”. Inspired by the situationists’ slogan ‘Sous les pavés, la plage’, the author argues that Car Park Beach opens up imaginative possibilities for a different form of ecological encounter with our own precarity, one ushered in by a ‘close-up’ awareness of how waste transforms our world. Car Park Beach is a site that the author associates with the drift-like, distracted movements of both people and matter, and this article therefore attempts to deploy an equivalent method of analysis. Drawing on her own practice of gleaning photos and objects on the way to work, the author places a vocabulary of flotsam and jetsam at the axis of her discussion. Allusive, often layered, connections are followed between a diverse range of sources including beachcombing guides, literary memoirs, documentary films, eco-criticism, and auto-ethnography. |
topic |
gleaning beachcombing daydreaming waste matter refrain Agnès Varda haptic looking eco-poetics |
url |
http://www.mdpi.com/2076-0787/7/2/33 |
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