Observer's Mood Manipulates Level of Visual Processing: Evidence from Face and Nonface Stimuli

For investigating the effect of observer's mood on level of processing of visual stimuli, happy or sad mood was induced in two groups of participants through asking them to deliberate one of their sad or happy memories while listening to a congruent piece of music. This was followed by a comput...

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Main Authors: Setareh Mokhtari, Heather Buttle
Format: Article
Language:English
Published: SAGE Publishing 2011-05-01
Series:i-Perception
Online Access:https://doi.org/10.1068/ic249
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spelling doaj-9d30848ad19841cc8096e19e13a375b52020-11-25T03:48:09ZengSAGE Publishingi-Perception2041-66952011-05-01210.1068/ic24910.1068_ic249Observer's Mood Manipulates Level of Visual Processing: Evidence from Face and Nonface StimuliSetareh Mokhtari0Heather Buttle1Department of Psychology, Massey UniversityDepartment of Psychology, Massey UniversityFor investigating the effect of observer's mood on level of processing of visual stimuli, happy or sad mood was induced in two groups of participants through asking them to deliberate one of their sad or happy memories while listening to a congruent piece of music. This was followed by a computer-based task that required counting some features (arcs or lines) of emotional schematic faces (with either sad or happy expressions) for group 1, and counting same features of meaningless combined shapes for group 2. Reaction time analysis indicated there is a significant difference in RTs after listening to the sad music compared with happy music for group 1; participants with sad moods were significantly slower when they worked on local levels of schematic faces with sad expressions. Happy moods did not show any specific effect on reaction time of participants who were working on local details of emotionally expressive faces. Sad moods or happy moods had no significant effect on reaction time of working on parts of meaningless shapes. It seems that sad moods as a contextual factor elevate the ability of sad expression to grab the attention and block fast access to the local parts of the holistic meaningful shapes.https://doi.org/10.1068/ic249
collection DOAJ
language English
format Article
sources DOAJ
author Setareh Mokhtari
Heather Buttle
spellingShingle Setareh Mokhtari
Heather Buttle
Observer's Mood Manipulates Level of Visual Processing: Evidence from Face and Nonface Stimuli
i-Perception
author_facet Setareh Mokhtari
Heather Buttle
author_sort Setareh Mokhtari
title Observer's Mood Manipulates Level of Visual Processing: Evidence from Face and Nonface Stimuli
title_short Observer's Mood Manipulates Level of Visual Processing: Evidence from Face and Nonface Stimuli
title_full Observer's Mood Manipulates Level of Visual Processing: Evidence from Face and Nonface Stimuli
title_fullStr Observer's Mood Manipulates Level of Visual Processing: Evidence from Face and Nonface Stimuli
title_full_unstemmed Observer's Mood Manipulates Level of Visual Processing: Evidence from Face and Nonface Stimuli
title_sort observer's mood manipulates level of visual processing: evidence from face and nonface stimuli
publisher SAGE Publishing
series i-Perception
issn 2041-6695
publishDate 2011-05-01
description For investigating the effect of observer's mood on level of processing of visual stimuli, happy or sad mood was induced in two groups of participants through asking them to deliberate one of their sad or happy memories while listening to a congruent piece of music. This was followed by a computer-based task that required counting some features (arcs or lines) of emotional schematic faces (with either sad or happy expressions) for group 1, and counting same features of meaningless combined shapes for group 2. Reaction time analysis indicated there is a significant difference in RTs after listening to the sad music compared with happy music for group 1; participants with sad moods were significantly slower when they worked on local levels of schematic faces with sad expressions. Happy moods did not show any specific effect on reaction time of participants who were working on local details of emotionally expressive faces. Sad moods or happy moods had no significant effect on reaction time of working on parts of meaningless shapes. It seems that sad moods as a contextual factor elevate the ability of sad expression to grab the attention and block fast access to the local parts of the holistic meaningful shapes.
url https://doi.org/10.1068/ic249
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