L’instrument de musique : identité et potentiel
The musical instrument is not to be seen in isolation from the music in which it intervenes but through which it exists as a musical instrument. Elements to define the musical instrument are put forward in relation to Berlioz's idea of "the body of sound used by the composer"....
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2011-03-01
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Online Access: | http://journals.openedition.org/methodos/2552 |
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doaj-9d1c31ce85c944a49c2dc0cff292f06c2020-11-24T21:26:23ZfraUniversité de LilleMethodos1769-73792011-03-011110.4000/methodos.2552L’instrument de musique : identité et potentielHervé LacombeThe musical instrument is not to be seen in isolation from the music in which it intervenes but through which it exists as a musical instrument. Elements to define the musical instrument are put forward in relation to Berlioz's idea of "the body of sound used by the composer". The emphasis is then put on the part played by the technique and the practice of the instrument. The various forms constitutive of the identity of the instrument and its potentials are then described (the specific elements of sound that it has to produce as well as the new possibilities the instrument will open up in the course of its history.)http://journals.openedition.org/methodos/2552Berlioz Hectoridentityinventionplaypossibilitypotential |
collection |
DOAJ |
language |
fra |
format |
Article |
sources |
DOAJ |
author |
Hervé Lacombe |
spellingShingle |
Hervé Lacombe L’instrument de musique : identité et potentiel Methodos Berlioz Hector identity invention play possibility potential |
author_facet |
Hervé Lacombe |
author_sort |
Hervé Lacombe |
title |
L’instrument de musique : identité et potentiel |
title_short |
L’instrument de musique : identité et potentiel |
title_full |
L’instrument de musique : identité et potentiel |
title_fullStr |
L’instrument de musique : identité et potentiel |
title_full_unstemmed |
L’instrument de musique : identité et potentiel |
title_sort |
l’instrument de musique : identité et potentiel |
publisher |
Université de Lille |
series |
Methodos |
issn |
1769-7379 |
publishDate |
2011-03-01 |
description |
The musical instrument is not to be seen in isolation from the music in which it intervenes but through which it exists as a musical instrument. Elements to define the musical instrument are put forward in relation to Berlioz's idea of "the body of sound used by the composer". The emphasis is then put on the part played by the technique and the practice of the instrument. The various forms constitutive of the identity of the instrument and its potentials are then described (the specific elements of sound that it has to produce as well as the new possibilities the instrument will open up in the course of its history.) |
topic |
Berlioz Hector identity invention play possibility potential |
url |
http://journals.openedition.org/methodos/2552 |
work_keys_str_mv |
AT hervelacombe linstrumentdemusiqueidentiteetpotentiel |
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1725980211074301952 |