Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction

Oral and written storytelling traditions in Africa developed at the same time and influenced each other in many ways. In the twentieth century, the relation between the deeply rooted oral tradition and literary traditions intensified. We aim to reveal literary analysis tools that help to trace ways...

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Main Authors: Loreta Huber, Evelina Jonaitytė
Format: Article
Language:English
Published: Vilnius University 2020-04-01
Series:Respectus Philologicus
Subjects:
Online Access:https://www.journals.vu.lt/respectus-philologicus/article/view/17063
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spelling doaj-9c9e44fa534d418aa9f4f3c637ad7bab2020-11-25T02:33:25ZengVilnius University Respectus Philologicus1392-82952335-23882020-04-0137(42)10.15388/RESPECTUS.2020.37.42.45Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short FictionLoreta Huber0Evelina Jonaitytė1Vilnius University, LithuaniaVilnius University, LithuaniaOral and written storytelling traditions in Africa developed at the same time and influenced each other in many ways. In the twentieth century, the relation between the deeply rooted oral tradition and literary traditions intensified. We aim to reveal literary analysis tools that help to trace ways how oral narrative genres found reflection in African short fiction under analysis. A case study is based on two short stories by women writers, The Rain Came by Grace Ogot and The Lovers by Bessie Head. Images and symbols both, in oral and written traditions in Africa, as well as the way they evolved and extended in a literary genre of short fiction are considered within the framework of hermeneutics, reader reception theory and feminist literary criticism. The results obtained in the study prove that oral narrative genres interact with literary genres, though most importantly, women’s writing as a literary category and images embodied in the short stories play a decisive role and deviation from the images embodied in African oral tradition. https://www.journals.vu.lt/respectus-philologicus/article/view/17063genreinterpretative turncommunicative dialogic resourcesshort fictionsymbols
collection DOAJ
language English
format Article
sources DOAJ
author Loreta Huber
Evelina Jonaitytė
spellingShingle Loreta Huber
Evelina Jonaitytė
Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction
Respectus Philologicus
genre
interpretative turn
communicative dialogic resources
short fiction
symbols
author_facet Loreta Huber
Evelina Jonaitytė
author_sort Loreta Huber
title Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction
title_short Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction
title_full Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction
title_fullStr Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction
title_full_unstemmed Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction
title_sort oral narrative genres as communicative dialogic resources and their correlation to african short fiction
publisher Vilnius University
series Respectus Philologicus
issn 1392-8295
2335-2388
publishDate 2020-04-01
description Oral and written storytelling traditions in Africa developed at the same time and influenced each other in many ways. In the twentieth century, the relation between the deeply rooted oral tradition and literary traditions intensified. We aim to reveal literary analysis tools that help to trace ways how oral narrative genres found reflection in African short fiction under analysis. A case study is based on two short stories by women writers, The Rain Came by Grace Ogot and The Lovers by Bessie Head. Images and symbols both, in oral and written traditions in Africa, as well as the way they evolved and extended in a literary genre of short fiction are considered within the framework of hermeneutics, reader reception theory and feminist literary criticism. The results obtained in the study prove that oral narrative genres interact with literary genres, though most importantly, women’s writing as a literary category and images embodied in the short stories play a decisive role and deviation from the images embodied in African oral tradition.
topic genre
interpretative turn
communicative dialogic resources
short fiction
symbols
url https://www.journals.vu.lt/respectus-philologicus/article/view/17063
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AT evelinajonaityte oralnarrativegenresascommunicativedialogicresourcesandtheircorrelationtoafricanshortfiction
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