Criminal Courts in England and the United States: A comparative approach to fictional representations as portrayed by two classic examples of courtroom films: Witness for the Prosecution (1957) and Anatomy of a Murder (1959)

The objective of this paper is to analyse and compare representations of the legal systems of England and the United States in two courtroom films: Witness for the Prosecution (1957) by Billy Wilder and Anatomy of a Murder (1959) by Otto Preminger. After a brief analysis of the links between law and...

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Main Author: Anne-Laure Dubrac
Format: Article
Language:English
Published: SAES 2017-04-01
Series:Angles
Subjects:
law
Online Access:http://journals.openedition.org/angles/1588
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spelling doaj-9c8f638f6a23470ebc15071920e5e2752020-11-25T01:47:03ZengSAESAngles2274-20422017-04-01410.4000/angles.1588Criminal Courts in England and the United States: A comparative approach to fictional representations as portrayed by two classic examples of courtroom films: Witness for the Prosecution (1957) and Anatomy of a Murder (1959)Anne-Laure DubracThe objective of this paper is to analyse and compare representations of the legal systems of England and the United States in two courtroom films: Witness for the Prosecution (1957) by Billy Wilder and Anatomy of a Murder (1959) by Otto Preminger. After a brief analysis of the links between law and fiction, the article presents an overview of how these films represent the professional environments that are central to their stories. It then explores differences and similarites between English and American law in theory and in practice. Since this article is addressed to French law students, it also makes occassional reference to the Civil Law system and to the inquisitorial procedure.http://journals.openedition.org/angles/1588English for Specific Purposes (ESP)lawcinemafictionadversary procedureCommon Law
collection DOAJ
language English
format Article
sources DOAJ
author Anne-Laure Dubrac
spellingShingle Anne-Laure Dubrac
Criminal Courts in England and the United States: A comparative approach to fictional representations as portrayed by two classic examples of courtroom films: Witness for the Prosecution (1957) and Anatomy of a Murder (1959)
Angles
English for Specific Purposes (ESP)
law
cinema
fiction
adversary procedure
Common Law
author_facet Anne-Laure Dubrac
author_sort Anne-Laure Dubrac
title Criminal Courts in England and the United States: A comparative approach to fictional representations as portrayed by two classic examples of courtroom films: Witness for the Prosecution (1957) and Anatomy of a Murder (1959)
title_short Criminal Courts in England and the United States: A comparative approach to fictional representations as portrayed by two classic examples of courtroom films: Witness for the Prosecution (1957) and Anatomy of a Murder (1959)
title_full Criminal Courts in England and the United States: A comparative approach to fictional representations as portrayed by two classic examples of courtroom films: Witness for the Prosecution (1957) and Anatomy of a Murder (1959)
title_fullStr Criminal Courts in England and the United States: A comparative approach to fictional representations as portrayed by two classic examples of courtroom films: Witness for the Prosecution (1957) and Anatomy of a Murder (1959)
title_full_unstemmed Criminal Courts in England and the United States: A comparative approach to fictional representations as portrayed by two classic examples of courtroom films: Witness for the Prosecution (1957) and Anatomy of a Murder (1959)
title_sort criminal courts in england and the united states: a comparative approach to fictional representations as portrayed by two classic examples of courtroom films: witness for the prosecution (1957) and anatomy of a murder (1959)
publisher SAES
series Angles
issn 2274-2042
publishDate 2017-04-01
description The objective of this paper is to analyse and compare representations of the legal systems of England and the United States in two courtroom films: Witness for the Prosecution (1957) by Billy Wilder and Anatomy of a Murder (1959) by Otto Preminger. After a brief analysis of the links between law and fiction, the article presents an overview of how these films represent the professional environments that are central to their stories. It then explores differences and similarites between English and American law in theory and in practice. Since this article is addressed to French law students, it also makes occassional reference to the Civil Law system and to the inquisitorial procedure.
topic English for Specific Purposes (ESP)
law
cinema
fiction
adversary procedure
Common Law
url http://journals.openedition.org/angles/1588
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