Ripartire dai territori: il ruolo dell’artigianato artistico napoletano

<p>This paper analyzes some practices to enhance and promote the artistic Neapolitan handicraft, specifically the  jewelry production, historically situated in Naples,  inside an area specifically called, just because of its economic activities, “Borgo degli Orefici”. Handicraft is a form of t...

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Main Author: Gianfranca Ranisio
Format: Article
Language:English
Published: CLUEB 2014-04-01
Series:EtnoAntropologia
Subjects:
Online Access:http://www.rivisteclueb.it/riviste/index.php/etnoantropologia/article/view/106
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spelling doaj-9bd68557cb914a62b08eccaafd8b4f772020-11-25T03:11:47ZengCLUEBEtnoAntropologia2284-01762014-04-012127728610.1473/106104Ripartire dai territori: il ruolo dell’artigianato artistico napoletanoGianfranca Ranisio0Università di Napoli Federico II<p>This paper analyzes some practices to enhance and promote the artistic Neapolitan handicraft, specifically the  jewelry production, historically situated in Naples,  inside an area specifically called, just because of its economic activities, “Borgo degli Orefici”. Handicraft is a form of technical know-how, a set of acquired and embedded skills, binding a product to specific social and cultural contexts and distinguishing it from industrial production. The artistic handicraft is a proper production of prestige goods, but this production is often in trouble with UE policies and internationalization processes, lacking of organization and synergies.<br /> The paper  therefore analyzes the actions promoted by the Comune di Napoli and the Consorzio Antico Borgo degli Orefici, with the specific aim of overcoming the isolation and making a network among different social involved actors.</p><p>Finally, the paper focuses the practices that aim on one hand to enhance and promote the productive resources in the area, on the other hand to build and redefine the image of the place and Neapolitan jewelry art. This can happen not by  preserving the old craft forms, but enabling the processes of revision and re-functionalization of the assets, in relation to the social and cultural context of the historical center.</p>http://www.rivisteclueb.it/riviste/index.php/etnoantropologia/article/view/106handicraftjewelryhistorical centerdevelopmentlocal policies
collection DOAJ
language English
format Article
sources DOAJ
author Gianfranca Ranisio
spellingShingle Gianfranca Ranisio
Ripartire dai territori: il ruolo dell’artigianato artistico napoletano
EtnoAntropologia
handicraft
jewelry
historical center
development
local policies
author_facet Gianfranca Ranisio
author_sort Gianfranca Ranisio
title Ripartire dai territori: il ruolo dell’artigianato artistico napoletano
title_short Ripartire dai territori: il ruolo dell’artigianato artistico napoletano
title_full Ripartire dai territori: il ruolo dell’artigianato artistico napoletano
title_fullStr Ripartire dai territori: il ruolo dell’artigianato artistico napoletano
title_full_unstemmed Ripartire dai territori: il ruolo dell’artigianato artistico napoletano
title_sort ripartire dai territori: il ruolo dell’artigianato artistico napoletano
publisher CLUEB
series EtnoAntropologia
issn 2284-0176
publishDate 2014-04-01
description <p>This paper analyzes some practices to enhance and promote the artistic Neapolitan handicraft, specifically the  jewelry production, historically situated in Naples,  inside an area specifically called, just because of its economic activities, “Borgo degli Orefici”. Handicraft is a form of technical know-how, a set of acquired and embedded skills, binding a product to specific social and cultural contexts and distinguishing it from industrial production. The artistic handicraft is a proper production of prestige goods, but this production is often in trouble with UE policies and internationalization processes, lacking of organization and synergies.<br /> The paper  therefore analyzes the actions promoted by the Comune di Napoli and the Consorzio Antico Borgo degli Orefici, with the specific aim of overcoming the isolation and making a network among different social involved actors.</p><p>Finally, the paper focuses the practices that aim on one hand to enhance and promote the productive resources in the area, on the other hand to build and redefine the image of the place and Neapolitan jewelry art. This can happen not by  preserving the old craft forms, but enabling the processes of revision and re-functionalization of the assets, in relation to the social and cultural context of the historical center.</p>
topic handicraft
jewelry
historical center
development
local policies
url http://www.rivisteclueb.it/riviste/index.php/etnoantropologia/article/view/106
work_keys_str_mv AT gianfrancaranisio ripartiredaiterritoriilruolodellartigianatoartisticonapoletano
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