Identité et marchandisation : Le cas des black memorabilia et black collectibles

The aim of this article is to raise the issue of the commodification of African American culture, mainly through a certain form of art that has re-emerged with Black memorabilia which paradoxically fit into a black-driven market. However, these items penetrated American culture from 1920 to the 1950...

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Main Author: Eliane Elmaleh
Format: Article
Language:English
Published: Maison de la Recherche en Sciences Humaines 2009-01-01
Series:Revue LISA
Online Access:http://journals.openedition.org/lisa/812
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spelling doaj-9bd2f8dc8b7e4560a853a6fe7162cc832021-10-02T08:44:16ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532009-01-0172310.4000/lisa.812Identité et marchandisation : Le cas des black memorabilia et black collectiblesEliane ElmalehThe aim of this article is to raise the issue of the commodification of African American culture, mainly through a certain form of art that has re-emerged with Black memorabilia which paradoxically fit into a black-driven market. However, these items penetrated American culture from 1920 to the 1950s to convey images of black people as lazy, stupid, childlike and happy. This condition of permanent happiness, typified by a broad smile and white teeth, was a fundamental component of this racist and stereotyped imagery. Thus, this article focuses on the thin border between racism and the denunciation of racism, commodification and denunciation of commodification, art and its by-products being always co-opted in the specific logic of private productivity.http://journals.openedition.org/lisa/812
collection DOAJ
language English
format Article
sources DOAJ
author Eliane Elmaleh
spellingShingle Eliane Elmaleh
Identité et marchandisation : Le cas des black memorabilia et black collectibles
Revue LISA
author_facet Eliane Elmaleh
author_sort Eliane Elmaleh
title Identité et marchandisation : Le cas des black memorabilia et black collectibles
title_short Identité et marchandisation : Le cas des black memorabilia et black collectibles
title_full Identité et marchandisation : Le cas des black memorabilia et black collectibles
title_fullStr Identité et marchandisation : Le cas des black memorabilia et black collectibles
title_full_unstemmed Identité et marchandisation : Le cas des black memorabilia et black collectibles
title_sort identité et marchandisation : le cas des black memorabilia et black collectibles
publisher Maison de la Recherche en Sciences Humaines
series Revue LISA
issn 1762-6153
publishDate 2009-01-01
description The aim of this article is to raise the issue of the commodification of African American culture, mainly through a certain form of art that has re-emerged with Black memorabilia which paradoxically fit into a black-driven market. However, these items penetrated American culture from 1920 to the 1950s to convey images of black people as lazy, stupid, childlike and happy. This condition of permanent happiness, typified by a broad smile and white teeth, was a fundamental component of this racist and stereotyped imagery. Thus, this article focuses on the thin border between racism and the denunciation of racism, commodification and denunciation of commodification, art and its by-products being always co-opted in the specific logic of private productivity.
url http://journals.openedition.org/lisa/812
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