Writing and Rewriting Film History

This article gives a brief overview of the present state of studies in Early Cinema (roughly, the period from 1895 to 1917), emphasizing the differences between the so-called 'New Film History' and more traditional ways of conceptualizing the history of the cinema. It is argued that Early...

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Main Author: Thomas Elsaesser
Format: Article
Language:English
Published: Universitetsforlaget 1995-01-01
Series:Norsk Medietidsskrift
Online Access:https://www.idunn.no/nmt/1995/02/writing_and_rewriting_film_history
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spelling doaj-9bbd3efa1c704edc911524d6ddd49a9c2020-11-25T00:46:03ZengUniversitetsforlagetNorsk Medietidsskrift0804-84520805-95351995-01-012354818948693Writing and Rewriting Film HistoryThomas ElsaesserThis article gives a brief overview of the present state of studies in Early Cinema (roughly, the period from 1895 to 1917), emphasizing the differences between the so-called 'New Film History' and more traditional ways of conceptualizing the history of the cinema. It is argued that Early Cinema has become important for several interconnected reasons, both historical and theoretical, and that the study of early cinema is important not only for its own sake, but for our understanding of contemporary -and maybe even future- media culture. What is suggested is that we need to revise our notion of history, where in the case of the cinema, we need besides a history also something like an archeology, and maybe even an archaeology of our future.https://www.idunn.no/nmt/1995/02/writing_and_rewriting_film_history
collection DOAJ
language English
format Article
sources DOAJ
author Thomas Elsaesser
spellingShingle Thomas Elsaesser
Writing and Rewriting Film History
Norsk Medietidsskrift
author_facet Thomas Elsaesser
author_sort Thomas Elsaesser
title Writing and Rewriting Film History
title_short Writing and Rewriting Film History
title_full Writing and Rewriting Film History
title_fullStr Writing and Rewriting Film History
title_full_unstemmed Writing and Rewriting Film History
title_sort writing and rewriting film history
publisher Universitetsforlaget
series Norsk Medietidsskrift
issn 0804-8452
0805-9535
publishDate 1995-01-01
description This article gives a brief overview of the present state of studies in Early Cinema (roughly, the period from 1895 to 1917), emphasizing the differences between the so-called 'New Film History' and more traditional ways of conceptualizing the history of the cinema. It is argued that Early Cinema has become important for several interconnected reasons, both historical and theoretical, and that the study of early cinema is important not only for its own sake, but for our understanding of contemporary -and maybe even future- media culture. What is suggested is that we need to revise our notion of history, where in the case of the cinema, we need besides a history also something like an archeology, and maybe even an archaeology of our future.
url https://www.idunn.no/nmt/1995/02/writing_and_rewriting_film_history
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