Représentation pastorale et guérison mélancolique au tournant de la Renaissance : questions de poétique

This essay is based on a reading of French classicism as a heroic cathartic response to the attractions of melancholy. Proceeding from the work of Marc Fumaroli, it applies the European perspective that underlies his project to a history of pastoral, and shows how the issue of melancholy informs asp...

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Main Author: Laurence Giavarini
Format: Article
Language:English
Published: Institut du Monde Anglophone 2003-04-01
Series:Etudes Epistémè
Online Access:http://journals.openedition.org/episteme/7053
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spelling doaj-9b96637991b3440398d15f67126881de2020-12-21T13:15:38ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502003-04-01310.4000/episteme.7053Représentation pastorale et guérison mélancolique au tournant de la Renaissance : questions de poétiqueLaurence GiavariniThis essay is based on a reading of French classicism as a heroic cathartic response to the attractions of melancholy. Proceeding from the work of Marc Fumaroli, it applies the European perspective that underlies his project to a history of pastoral, and shows how the issue of melancholy informs aspects of poetics and style and not only of morality. This paper lays the stress, in particular, on dramatic forms, first in England, then in Italy and in France. The Shakespearean pastoral, mainly As You Like It, allows the critic to raise the question of the melancholy style, and to question the various ways in which the disease of melancholy and the pastoral code of representation interact, in genres which are not predefined as pastoral. Returning to the cathartic perspectives which Guarini had offered in Il Pastor Fido, it will be shown that in late sixteenth-century Italy, the question of the cure of melancholy finds its way into the theory of tragi-comedy itself. Finally, the author turns to analysing the developments of the Guarinian project in France in the years 1620-1640, and underlines the linguistic reasons that account for the rejection of a poetic of melancholy catharsis perceived as « Italian ».http://journals.openedition.org/episteme/7053
collection DOAJ
language English
format Article
sources DOAJ
author Laurence Giavarini
spellingShingle Laurence Giavarini
Représentation pastorale et guérison mélancolique au tournant de la Renaissance : questions de poétique
Etudes Epistémè
author_facet Laurence Giavarini
author_sort Laurence Giavarini
title Représentation pastorale et guérison mélancolique au tournant de la Renaissance : questions de poétique
title_short Représentation pastorale et guérison mélancolique au tournant de la Renaissance : questions de poétique
title_full Représentation pastorale et guérison mélancolique au tournant de la Renaissance : questions de poétique
title_fullStr Représentation pastorale et guérison mélancolique au tournant de la Renaissance : questions de poétique
title_full_unstemmed Représentation pastorale et guérison mélancolique au tournant de la Renaissance : questions de poétique
title_sort représentation pastorale et guérison mélancolique au tournant de la renaissance : questions de poétique
publisher Institut du Monde Anglophone
series Etudes Epistémè
issn 1634-0450
publishDate 2003-04-01
description This essay is based on a reading of French classicism as a heroic cathartic response to the attractions of melancholy. Proceeding from the work of Marc Fumaroli, it applies the European perspective that underlies his project to a history of pastoral, and shows how the issue of melancholy informs aspects of poetics and style and not only of morality. This paper lays the stress, in particular, on dramatic forms, first in England, then in Italy and in France. The Shakespearean pastoral, mainly As You Like It, allows the critic to raise the question of the melancholy style, and to question the various ways in which the disease of melancholy and the pastoral code of representation interact, in genres which are not predefined as pastoral. Returning to the cathartic perspectives which Guarini had offered in Il Pastor Fido, it will be shown that in late sixteenth-century Italy, the question of the cure of melancholy finds its way into the theory of tragi-comedy itself. Finally, the author turns to analysing the developments of the Guarinian project in France in the years 1620-1640, and underlines the linguistic reasons that account for the rejection of a poetic of melancholy catharsis perceived as « Italian ».
url http://journals.openedition.org/episteme/7053
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