Influences croisées entre les traditions musicales perses et européennes. Les fondements d’une esthétique musicale commune
The purpose of this paper is to demonstrate how, to a certain extent, the intellectual dialogue dealing with the foundations of music theory between ancient Greece and Arabo-Muslim civilization following Hegira should be reduced neither to ascheme of cultural integration nor to a scheme of cultural...
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| Format: | Article |
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L’Harmattan
2006-12-01
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| Series: | Droit et Cultures |
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| Online Access: | http://journals.openedition.org/droitcultures/661 |
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doaj-9b0691737fcc4665bb61fff1c1cd1b6d2020-11-24T23:57:18ZfraL’HarmattanDroit et Cultures0247-97882109-94212006-12-0152121138Influences croisées entre les traditions musicales perses et européennes. Les fondements d’une esthétique musicale communeAlexandre Leroi-CortotThe purpose of this paper is to demonstrate how, to a certain extent, the intellectual dialogue dealing with the foundations of music theory between ancient Greece and Arabo-Muslim civilization following Hegira should be reduced neither to ascheme of cultural integration nor to a scheme of cultural severance. It should rather be understood as a discursive continuity around major terms and primary conceptions which, despite different musical practices, are today largely relevant to a shared aesthetic analytical framework.http://journals.openedition.org/droitcultures/661arabo-persian musicintercultural dialogueMusical aestheticstheory (or sociology or philosophy) of music |
| collection |
DOAJ |
| language |
fra |
| format |
Article |
| sources |
DOAJ |
| author |
Alexandre Leroi-Cortot |
| spellingShingle |
Alexandre Leroi-Cortot Influences croisées entre les traditions musicales perses et européennes. Les fondements d’une esthétique musicale commune Droit et Cultures arabo-persian music intercultural dialogue Musical aesthetics theory (or sociology or philosophy) of music |
| author_facet |
Alexandre Leroi-Cortot |
| author_sort |
Alexandre Leroi-Cortot |
| title |
Influences croisées entre les traditions musicales perses et européennes. Les fondements d’une esthétique musicale commune |
| title_short |
Influences croisées entre les traditions musicales perses et européennes. Les fondements d’une esthétique musicale commune |
| title_full |
Influences croisées entre les traditions musicales perses et européennes. Les fondements d’une esthétique musicale commune |
| title_fullStr |
Influences croisées entre les traditions musicales perses et européennes. Les fondements d’une esthétique musicale commune |
| title_full_unstemmed |
Influences croisées entre les traditions musicales perses et européennes. Les fondements d’une esthétique musicale commune |
| title_sort |
influences croisées entre les traditions musicales perses et européennes. les fondements d’une esthétique musicale commune |
| publisher |
L’Harmattan |
| series |
Droit et Cultures |
| issn |
0247-9788 2109-9421 |
| publishDate |
2006-12-01 |
| description |
The purpose of this paper is to demonstrate how, to a certain extent, the intellectual dialogue dealing with the foundations of music theory between ancient Greece and Arabo-Muslim civilization following Hegira should be reduced neither to ascheme of cultural integration nor to a scheme of cultural severance. It should rather be understood as a discursive continuity around major terms and primary conceptions which, despite different musical practices, are today largely relevant to a shared aesthetic analytical framework. |
| topic |
arabo-persian music intercultural dialogue Musical aesthetics theory (or sociology or philosophy) of music |
| url |
http://journals.openedition.org/droitcultures/661 |
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AT alexandreleroicortot influencescroiseesentrelestraditionsmusicalesperseseteuropeenneslesfondementsduneesthetiquemusicalecommune |
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