High Culture in Low Places: Television and Modern Art, 1950-1970

This essay examines the role that television played in defining the American image after World War II. lt focuses on how television served to popularize modern painting (especially abstract expressionism and Pop art), and it looks how television contributed to the nationalist goal of creati...

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Main Author: Lynn Spigel
Format: Article
Language:deu
Published: StudienVerlag 2001-12-01
Series:Österreichische Zeitschrift für Geschichtswissenschaften
Online Access:https://journals.univie.ac.at/index.php/oezg/article/view/5849
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spelling doaj-9af9d50180ff4d57ad0c7a80ef9a73f22021-03-18T20:48:29ZdeuStudienVerlagÖsterreichische Zeitschrift für Geschichtswissenschaften1016-765X2707-966X2001-12-0112410.25365/oezg-2001-12-4-6High Culture in Low Places: Television and Modern Art, 1950-1970Lynn Spigel0University of Southern California This essay examines the role that television played in defining the American image after World War II. lt focuses on how television served to popularize modern painting (especially abstract expressionism and Pop art), and it looks how television contributed to the nationalist goal of creating a uniquely »American « image - distinct from European painting, especially that of Paris. lt argues that television valorized advertising art as the quintessential American and democratic form, and in the process led the way to the popular embrace of Popism. The essay also considers television's role in the gendered economies of the postwar art world. In particular, it considers how television programs about the arts addressed a family/housewife audience, and it also shows how television portrayed artists in relation to gender and sexual politics. https://journals.univie.ac.at/index.php/oezg/article/view/5849
collection DOAJ
language deu
format Article
sources DOAJ
author Lynn Spigel
spellingShingle Lynn Spigel
High Culture in Low Places: Television and Modern Art, 1950-1970
Österreichische Zeitschrift für Geschichtswissenschaften
author_facet Lynn Spigel
author_sort Lynn Spigel
title High Culture in Low Places: Television and Modern Art, 1950-1970
title_short High Culture in Low Places: Television and Modern Art, 1950-1970
title_full High Culture in Low Places: Television and Modern Art, 1950-1970
title_fullStr High Culture in Low Places: Television and Modern Art, 1950-1970
title_full_unstemmed High Culture in Low Places: Television and Modern Art, 1950-1970
title_sort high culture in low places: television and modern art, 1950-1970
publisher StudienVerlag
series Österreichische Zeitschrift für Geschichtswissenschaften
issn 1016-765X
2707-966X
publishDate 2001-12-01
description This essay examines the role that television played in defining the American image after World War II. lt focuses on how television served to popularize modern painting (especially abstract expressionism and Pop art), and it looks how television contributed to the nationalist goal of creating a uniquely »American « image - distinct from European painting, especially that of Paris. lt argues that television valorized advertising art as the quintessential American and democratic form, and in the process led the way to the popular embrace of Popism. The essay also considers television's role in the gendered economies of the postwar art world. In particular, it considers how television programs about the arts addressed a family/housewife audience, and it also shows how television portrayed artists in relation to gender and sexual politics.
url https://journals.univie.ac.at/index.php/oezg/article/view/5849
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