High Culture in Low Places: Television and Modern Art, 1950-1970
This essay examines the role that television played in defining the American image after World War II. lt focuses on how television served to popularize modern painting (especially abstract expressionism and Pop art), and it looks how television contributed to the nationalist goal of creati...
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2001-12-01
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Series: | Österreichische Zeitschrift für Geschichtswissenschaften |
Online Access: | https://journals.univie.ac.at/index.php/oezg/article/view/5849 |
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doaj-9af9d50180ff4d57ad0c7a80ef9a73f22021-03-18T20:48:29ZdeuStudienVerlagÖsterreichische Zeitschrift für Geschichtswissenschaften1016-765X2707-966X2001-12-0112410.25365/oezg-2001-12-4-6High Culture in Low Places: Television and Modern Art, 1950-1970Lynn Spigel0University of Southern California This essay examines the role that television played in defining the American image after World War II. lt focuses on how television served to popularize modern painting (especially abstract expressionism and Pop art), and it looks how television contributed to the nationalist goal of creating a uniquely »American « image - distinct from European painting, especially that of Paris. lt argues that television valorized advertising art as the quintessential American and democratic form, and in the process led the way to the popular embrace of Popism. The essay also considers television's role in the gendered economies of the postwar art world. In particular, it considers how television programs about the arts addressed a family/housewife audience, and it also shows how television portrayed artists in relation to gender and sexual politics. https://journals.univie.ac.at/index.php/oezg/article/view/5849 |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Lynn Spigel |
spellingShingle |
Lynn Spigel High Culture in Low Places: Television and Modern Art, 1950-1970 Österreichische Zeitschrift für Geschichtswissenschaften |
author_facet |
Lynn Spigel |
author_sort |
Lynn Spigel |
title |
High Culture in Low Places: Television and Modern Art, 1950-1970 |
title_short |
High Culture in Low Places: Television and Modern Art, 1950-1970 |
title_full |
High Culture in Low Places: Television and Modern Art, 1950-1970 |
title_fullStr |
High Culture in Low Places: Television and Modern Art, 1950-1970 |
title_full_unstemmed |
High Culture in Low Places: Television and Modern Art, 1950-1970 |
title_sort |
high culture in low places: television and modern art, 1950-1970 |
publisher |
StudienVerlag |
series |
Österreichische Zeitschrift für Geschichtswissenschaften |
issn |
1016-765X 2707-966X |
publishDate |
2001-12-01 |
description |
This essay examines the role that television played in defining the American image after World War II. lt focuses on how television served to popularize modern painting (especially abstract expressionism and Pop art), and it looks how television contributed to the nationalist goal of creating a uniquely »American « image - distinct from European painting, especially that of Paris. lt argues that television valorized advertising art as the quintessential American and democratic form, and in the process led the way to the popular embrace of Popism. The essay also considers television's role in the gendered economies of the postwar art world. In particular, it considers how television programs about the arts addressed a family/housewife audience, and it also shows how television portrayed artists in relation to gender and sexual politics.
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url |
https://journals.univie.ac.at/index.php/oezg/article/view/5849 |
work_keys_str_mv |
AT lynnspigel highcultureinlowplacestelevisionandmodernart19501970 |
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