Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study.

Audio description (AD) is one of the main methods that people who are blind or low vision (B/LV) use to access film, television, and theatre content. AD is a second audio track inserted into the space(s) where speech is absent, which tends to be only a few seconds. Contained in that second track is...

Full description

Bibliographic Details
Main Authors: Mala D Naraine, Deborah I Fels, Margot Whitfield
Format: Article
Language:English
Published: Public Library of Science (PLoS) 2018-01-01
Series:PLoS ONE
Online Access:http://europepmc.org/articles/PMC6277089?pdf=render
id doaj-9aafae3e402f47b6babfd8cef6c11941
record_format Article
spelling doaj-9aafae3e402f47b6babfd8cef6c119412020-11-25T00:48:32ZengPublic Library of Science (PLoS)PLoS ONE1932-62032018-01-011312e020816510.1371/journal.pone.0208165Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study.Mala D NaraineDeborah I FelsMargot WhitfieldAudio description (AD) is one of the main methods that people who are blind or low vision (B/LV) use to access film, television, and theatre content. AD is a second audio track inserted into the space(s) where speech is absent, which tends to be only a few seconds. Contained in that second track is an audio description of the important visual information contained within a specific scene. However, as there is insufficient time to describe all visual information, decisions about what is important to describe and how to present that information (style) to optimize a B/LV viewer's entertainment experience are required. Most research to date has considered only short-term, single-episode experiences to gauge viewers' reactions to the AD content. In addition, this research typically has used a monotone, single style of audio description, which is defined as "the conventional style" in this paper. We use an integrative style instead, that is defined as 'AD designed to fit a specific show", and differed between shows. We carried out a within-subjects longitudinal study with eight episodes of a dark comedy, using different description styles and describers in order to assess viewer engagement and preferences for AD describer style, language use, timing, and fit to the show. Twenty-four blind participants viewed and rated all eight episodes. Major findings included that most participants found the integrative style entertaining, a fit with the specific episodes, and enjoyable. Some participants, however, preferred the conventional style and struggled with the language and topic of a dark comedy and its associated descriptions.http://europepmc.org/articles/PMC6277089?pdf=render
collection DOAJ
language English
format Article
sources DOAJ
author Mala D Naraine
Deborah I Fels
Margot Whitfield
spellingShingle Mala D Naraine
Deborah I Fels
Margot Whitfield
Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study.
PLoS ONE
author_facet Mala D Naraine
Deborah I Fels
Margot Whitfield
author_sort Mala D Naraine
title Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study.
title_short Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study.
title_full Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study.
title_fullStr Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study.
title_full_unstemmed Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study.
title_sort impacts on quality: enjoyment factors in blind and low vision audience entertainment ratings: a qualitative study.
publisher Public Library of Science (PLoS)
series PLoS ONE
issn 1932-6203
publishDate 2018-01-01
description Audio description (AD) is one of the main methods that people who are blind or low vision (B/LV) use to access film, television, and theatre content. AD is a second audio track inserted into the space(s) where speech is absent, which tends to be only a few seconds. Contained in that second track is an audio description of the important visual information contained within a specific scene. However, as there is insufficient time to describe all visual information, decisions about what is important to describe and how to present that information (style) to optimize a B/LV viewer's entertainment experience are required. Most research to date has considered only short-term, single-episode experiences to gauge viewers' reactions to the AD content. In addition, this research typically has used a monotone, single style of audio description, which is defined as "the conventional style" in this paper. We use an integrative style instead, that is defined as 'AD designed to fit a specific show", and differed between shows. We carried out a within-subjects longitudinal study with eight episodes of a dark comedy, using different description styles and describers in order to assess viewer engagement and preferences for AD describer style, language use, timing, and fit to the show. Twenty-four blind participants viewed and rated all eight episodes. Major findings included that most participants found the integrative style entertaining, a fit with the specific episodes, and enjoyable. Some participants, however, preferred the conventional style and struggled with the language and topic of a dark comedy and its associated descriptions.
url http://europepmc.org/articles/PMC6277089?pdf=render
work_keys_str_mv AT maladnaraine impactsonqualityenjoymentfactorsinblindandlowvisionaudienceentertainmentratingsaqualitativestudy
AT deborahifels impactsonqualityenjoymentfactorsinblindandlowvisionaudienceentertainmentratingsaqualitativestudy
AT margotwhitfield impactsonqualityenjoymentfactorsinblindandlowvisionaudienceentertainmentratingsaqualitativestudy
_version_ 1725255733812920320