Musical works’ repeatability, audibility and variability: A dispositional account
This paper is devoted to face recent views in the ontology of music that reject that musical works are repeatable in musical performances. It will be observed that musical works’ repeatability implies that they are audible and variable in their performances. To this extent, the aim here is...
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| Format: | Article |
| Language: | deu |
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Institute for Philosophy and Social Theory, Belgrade
2019-01-01
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| Series: | Filozofija i Društvo |
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| Online Access: | http://www.doiserbia.nb.rs/img/doi/0353-5738/2019/0353-57381901054G.pdf |