Click Here: Unsettling Scholarly Writing Practices and Knowledge Representation

In fine arts, a diptych usually consists of two paintings that are hinged or bound together to form a single piece that opens like a book. In my interpretation of the form, I have written this paper as a textual diptych. It consists of two halves—each of which provides a slightly different perspecti...

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Main Author: Gunita Gupta
Format: Article
Language:English
Published: Language and Literacy Researchers of Canada 2020-06-01
Series:Language and Literacy: A Canadian Educational e-journal
Online Access:https://journals.library.ualberta.ca/langandlit/index.php/langandlit/article/view/29516
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spelling doaj-9a2db811bb3c4d2dbfc23087865f3e6f2020-11-25T03:49:58ZengLanguage and Literacy Researchers of CanadaLanguage and Literacy: A Canadian Educational e-journal1496-09742020-06-01221597110.20360/langandlit2951629516Click Here: Unsettling Scholarly Writing Practices and Knowledge RepresentationGunita Gupta0University of British ColumbiaIn fine arts, a diptych usually consists of two paintings that are hinged or bound together to form a single piece that opens like a book. In my interpretation of the form, I have written this paper as a textual diptych. It consists of two halves—each of which provides a slightly different perspective and response to the question: How might scholars work to unsettle conventional practices of academic representation in order to allow for different knowledges and understandings to emerge? Further, I wonder in what ways I might expand how and what I write to include as-yet-unsanctioned thoughts, insights, sources, forms, and habits in order to unsettle conventional academic scholarship. This piece of work is my current contribution to the conversation on what it means to write academically, to represent one’s scholarship.https://journals.library.ualberta.ca/langandlit/index.php/langandlit/article/view/29516
collection DOAJ
language English
format Article
sources DOAJ
author Gunita Gupta
spellingShingle Gunita Gupta
Click Here: Unsettling Scholarly Writing Practices and Knowledge Representation
Language and Literacy: A Canadian Educational e-journal
author_facet Gunita Gupta
author_sort Gunita Gupta
title Click Here: Unsettling Scholarly Writing Practices and Knowledge Representation
title_short Click Here: Unsettling Scholarly Writing Practices and Knowledge Representation
title_full Click Here: Unsettling Scholarly Writing Practices and Knowledge Representation
title_fullStr Click Here: Unsettling Scholarly Writing Practices and Knowledge Representation
title_full_unstemmed Click Here: Unsettling Scholarly Writing Practices and Knowledge Representation
title_sort click here: unsettling scholarly writing practices and knowledge representation
publisher Language and Literacy Researchers of Canada
series Language and Literacy: A Canadian Educational e-journal
issn 1496-0974
publishDate 2020-06-01
description In fine arts, a diptych usually consists of two paintings that are hinged or bound together to form a single piece that opens like a book. In my interpretation of the form, I have written this paper as a textual diptych. It consists of two halves—each of which provides a slightly different perspective and response to the question: How might scholars work to unsettle conventional practices of academic representation in order to allow for different knowledges and understandings to emerge? Further, I wonder in what ways I might expand how and what I write to include as-yet-unsanctioned thoughts, insights, sources, forms, and habits in order to unsettle conventional academic scholarship. This piece of work is my current contribution to the conversation on what it means to write academically, to represent one’s scholarship.
url https://journals.library.ualberta.ca/langandlit/index.php/langandlit/article/view/29516
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