Silent Bilingualism in Olivier Masset-Depasse’s film Illégal

This article focuses on the synergy of bilingualism and silence, a thus far unexplored characteristic of Olivier Masset-Depasse’s film Illégal (2010). Illégal examines the path of a lawbreaker, an illegal immigrant, and her interaction with the authorities while in a detention center, a contemporary...

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Main Author: Anna Dimitrova
Format: Article
Language:English
Published: Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel 2018-10-01
Series:Mise au Point
Subjects:
Online Access:http://journals.openedition.org/map/2991
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spelling doaj-9a2cdc6161464544a76550e5411482a92020-11-25T00:01:38ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232018-10-011110.4000/map.2991Silent Bilingualism in Olivier Masset-Depasse’s film IllégalAnna DimitrovaThis article focuses on the synergy of bilingualism and silence, a thus far unexplored characteristic of Olivier Masset-Depasse’s film Illégal (2010). Illégal examines the path of a lawbreaker, an illegal immigrant, and her interaction with the authorities while in a detention center, a contemporary Repressive State Apparatus (RSA, Althusser). The analysis demonstrates that the modern-day contact zones do not have visible borders, but their Repressive State Apparatuses function as a mechanism of state power and a barrier against newcomers. The protagonist is not racially profiled and possesses a superior linguistic ability. Still, she is treated by the authorities with extreme harshness. From this perspective, the essay illustrates that it is not the language, nor the race, that triggers severe reaction of exclusion of the immigrants from their adopted countries of refuge. Rather, it is the otherness of the newcomers that the RSAs cannot accept.http://journals.openedition.org/map/2991Francophone contact zoneimmigrationrefugeesilencetransnational dialogue
collection DOAJ
language English
format Article
sources DOAJ
author Anna Dimitrova
spellingShingle Anna Dimitrova
Silent Bilingualism in Olivier Masset-Depasse’s film Illégal
Mise au Point
Francophone contact zone
immigration
refugee
silence
transnational dialogue
author_facet Anna Dimitrova
author_sort Anna Dimitrova
title Silent Bilingualism in Olivier Masset-Depasse’s film Illégal
title_short Silent Bilingualism in Olivier Masset-Depasse’s film Illégal
title_full Silent Bilingualism in Olivier Masset-Depasse’s film Illégal
title_fullStr Silent Bilingualism in Olivier Masset-Depasse’s film Illégal
title_full_unstemmed Silent Bilingualism in Olivier Masset-Depasse’s film Illégal
title_sort silent bilingualism in olivier masset-depasse’s film illégal
publisher Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
series Mise au Point
issn 2261-9623
publishDate 2018-10-01
description This article focuses on the synergy of bilingualism and silence, a thus far unexplored characteristic of Olivier Masset-Depasse’s film Illégal (2010). Illégal examines the path of a lawbreaker, an illegal immigrant, and her interaction with the authorities while in a detention center, a contemporary Repressive State Apparatus (RSA, Althusser). The analysis demonstrates that the modern-day contact zones do not have visible borders, but their Repressive State Apparatuses function as a mechanism of state power and a barrier against newcomers. The protagonist is not racially profiled and possesses a superior linguistic ability. Still, she is treated by the authorities with extreme harshness. From this perspective, the essay illustrates that it is not the language, nor the race, that triggers severe reaction of exclusion of the immigrants from their adopted countries of refuge. Rather, it is the otherness of the newcomers that the RSAs cannot accept.
topic Francophone contact zone
immigration
refugee
silence
transnational dialogue
url http://journals.openedition.org/map/2991
work_keys_str_mv AT annadimitrova silentbilingualisminoliviermassetdepassesfilmillegal
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