Silent Bilingualism in Olivier Masset-Depasse’s film Illégal
This article focuses on the synergy of bilingualism and silence, a thus far unexplored characteristic of Olivier Masset-Depasse’s film Illégal (2010). Illégal examines the path of a lawbreaker, an illegal immigrant, and her interaction with the authorities while in a detention center, a contemporary...
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2018-10-01
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Online Access: | http://journals.openedition.org/map/2991 |
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doaj-9a2cdc6161464544a76550e5411482a92020-11-25T00:01:38ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232018-10-011110.4000/map.2991Silent Bilingualism in Olivier Masset-Depasse’s film IllégalAnna DimitrovaThis article focuses on the synergy of bilingualism and silence, a thus far unexplored characteristic of Olivier Masset-Depasse’s film Illégal (2010). Illégal examines the path of a lawbreaker, an illegal immigrant, and her interaction with the authorities while in a detention center, a contemporary Repressive State Apparatus (RSA, Althusser). The analysis demonstrates that the modern-day contact zones do not have visible borders, but their Repressive State Apparatuses function as a mechanism of state power and a barrier against newcomers. The protagonist is not racially profiled and possesses a superior linguistic ability. Still, she is treated by the authorities with extreme harshness. From this perspective, the essay illustrates that it is not the language, nor the race, that triggers severe reaction of exclusion of the immigrants from their adopted countries of refuge. Rather, it is the otherness of the newcomers that the RSAs cannot accept.http://journals.openedition.org/map/2991Francophone contact zoneimmigrationrefugeesilencetransnational dialogue |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Anna Dimitrova |
spellingShingle |
Anna Dimitrova Silent Bilingualism in Olivier Masset-Depasse’s film Illégal Mise au Point Francophone contact zone immigration refugee silence transnational dialogue |
author_facet |
Anna Dimitrova |
author_sort |
Anna Dimitrova |
title |
Silent Bilingualism in Olivier Masset-Depasse’s film Illégal |
title_short |
Silent Bilingualism in Olivier Masset-Depasse’s film Illégal |
title_full |
Silent Bilingualism in Olivier Masset-Depasse’s film Illégal |
title_fullStr |
Silent Bilingualism in Olivier Masset-Depasse’s film Illégal |
title_full_unstemmed |
Silent Bilingualism in Olivier Masset-Depasse’s film Illégal |
title_sort |
silent bilingualism in olivier masset-depasse’s film illégal |
publisher |
Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel |
series |
Mise au Point |
issn |
2261-9623 |
publishDate |
2018-10-01 |
description |
This article focuses on the synergy of bilingualism and silence, a thus far unexplored characteristic of Olivier Masset-Depasse’s film Illégal (2010). Illégal examines the path of a lawbreaker, an illegal immigrant, and her interaction with the authorities while in a detention center, a contemporary Repressive State Apparatus (RSA, Althusser). The analysis demonstrates that the modern-day contact zones do not have visible borders, but their Repressive State Apparatuses function as a mechanism of state power and a barrier against newcomers. The protagonist is not racially profiled and possesses a superior linguistic ability. Still, she is treated by the authorities with extreme harshness. From this perspective, the essay illustrates that it is not the language, nor the race, that triggers severe reaction of exclusion of the immigrants from their adopted countries of refuge. Rather, it is the otherness of the newcomers that the RSAs cannot accept. |
topic |
Francophone contact zone immigration refugee silence transnational dialogue |
url |
http://journals.openedition.org/map/2991 |
work_keys_str_mv |
AT annadimitrova silentbilingualisminoliviermassetdepassesfilmillegal |
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1725440937481469952 |