المرأة في رسوم جواد سلیم وبیكاسو

• Main Author: م . سلام أدور اللوس
• Format: Article
• Language: Arabic
• Published: College of Education for Women 2019-02-01
• Series: مجلة كلية التربية للبنات
• Online Access: http://jcoeduw.uobaghdad.edu.iq/index.php/journal/article/view/791

There is a fact we have to admit here, first, that is art innovation, since its early beginnings, is mostly a male product, and causing to stir interest and attention, if it was a female one. Psychiatrist and sociologists could give us a convincing answer or a logical explanation for that. What is really important here is how the male artist could review his vision to woman, what was the impact of all these ideas and desires towards each other in their artistic products? Did he reflect the real role played by the woman in pushing the artist towards specific ways? Did it related to the struggle for immortality? In searching for motherhood and life eternity and the partner to find the way to life. We, often, find artworks showing great interest in woman to the extent that she became a case or may be an aim that most of his works consist whether the artwork discuss a humane issue or reviewing the beauty of humane figure. Jawad Salim's works were the fertile soil to study that if we simply reviewed some of them. Picasso, as well, was not far from that if we acknowledged that only few of his works lacked the presence of woman. For all of the above mentioned, lie the true objectives of this research to unveil the nature of the humane and intellectual contents related to woman in Jawad and Picasso's paintings, their importance and role, their similarity and differences throughout their art career. The main results the researcher reached is that: 1- During his blue and pink period, Picasso took the woman as a humane symbol reflecting the Spanish reality; he shouldered the responsibility of representing the sad nation (Pain-isolation-poverty- subjugation). 2- Jawad Salim attacked in his works the oriental social traditions that dealt with woman during the 40s, which was a reflection of his personal sufferings in his early life and the contradictory he lived between Paris and Baghdad. 3- Follwing the inspiring Lorna (Jawad's wife), he switched to defend the human woman (mother-sister-friend-wife) in her tragedy and political and social struggle side by side with the man, that was clearly shown in what we so-called (freedom period) at the end of 50s which preceded his early death. 4- During his Cubism and after that, Picasso resorted to oddity –the primitive arts- in achieving innovative amazement. The lot of familiarity and satisfaction exist inside him, prompted him to look for the new, as if it is a reflection to his relation with woman.