THEORETICAL ASPECTS OF FILMMUSIC STUDY

In this article, author analyzes the theoretical aspects of the film music study taking into account with modern realities in the development of world film-process and attempts to its scientific understanding. Need for innovation in this area is long overdue, because the existing on this topic nonfi...

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Main Author:	Egorova Tatiana K.
Format:	Article
Language:	English
Published:	Mediamusic, LLC 2014-04-01
Series:	Mediamuzyka
Subjects:	Music movie film filmmusic mediamusic mediatext phonosphere soundtrack empathy sound simulacrum
Online Access:	http://mediamusic-journal.com/Issues/3_1.html

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spelling	doaj-990f6ace7e164a629f67b7a63acb3b722020-11-25T01:50:38ZengMediamusic, LLCMediamuzyka2226-61432226-61432014-04-013THEORETICAL ASPECTS OF FILMMUSIC STUDYEgorova Tatiana K.0Dr of Arts, Prof. of the Dept. of Aesthetics, History and Theory of Culture at the AllRussian State University of Cinematography named after S. A. Gerasimov (VGIK), Moscow, RussiaIn this article, author analyzes the theoretical aspects of the film music study taking into account with modern realities in the development of world film-process and attempts to its scientific understanding. Need for innovation in this area is long overdue, because the existing on this topic nonfiction no longer meets the new aesthetic and art-practical achievements and innovations in the film music development at the XXI century. Related to the phenomenon of music in screen arts a number of new terms and concepts require a certain adjustment as well. Their range of action is not yet fully defined. Author of the article offered her version of their content-semantic interpretation (largely experimental) designed to promote new research methods for the film music study.http://mediamusic-journal.com/Issues/3_1.htmlMusicmoviefilmfilmmusicmediamusicmediatextphonospheresoundtrackempathysound simulacrum
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Egorova Tatiana K.
spellingShingle	Egorova Tatiana K. THEORETICAL ASPECTS OF FILMMUSIC STUDY Mediamuzyka Music movie film filmmusic mediamusic mediatext phonosphere soundtrack empathy sound simulacrum
author_facet	Egorova Tatiana K.
author_sort	Egorova Tatiana K.
title	THEORETICAL ASPECTS OF FILMMUSIC STUDY
title_short	THEORETICAL ASPECTS OF FILMMUSIC STUDY
title_full	THEORETICAL ASPECTS OF FILMMUSIC STUDY
title_fullStr	THEORETICAL ASPECTS OF FILMMUSIC STUDY
title_full_unstemmed	THEORETICAL ASPECTS OF FILMMUSIC STUDY
title_sort	theoretical aspects of filmmusic study
publisher	Mediamusic, LLC
series	Mediamuzyka
issn	2226-6143 2226-6143
publishDate	2014-04-01
description	In this article, author analyzes the theoretical aspects of the film music study taking into account with modern realities in the development of world film-process and attempts to its scientific understanding. Need for innovation in this area is long overdue, because the existing on this topic nonfiction no longer meets the new aesthetic and art-practical achievements and innovations in the film music development at the XXI century. Related to the phenomenon of music in screen arts a number of new terms and concepts require a certain adjustment as well. Their range of action is not yet fully defined. Author of the article offered her version of their content-semantic interpretation (largely experimental) designed to promote new research methods for the film music study.
topic	Music movie film filmmusic mediamusic mediatext phonosphere soundtrack empathy sound simulacrum
url	http://mediamusic-journal.com/Issues/3_1.html
work_keys_str_mv	AT egorovatatianak theoreticalaspectsoffilmmusicstudy
_version_	1725000717988528128

THEORETICAL ASPECTS OF FILMMUSIC STUDY

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