Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print

The purpose of the article is to investigate the complex link between theatre, as a practice involving a number of people, and the change in the use of dramatic texts occurred at the origins of the Italian printing industry, when dramatic texts were no longer only acted but also read as books. With...

Full description

Bibliographic Details
Main Author: Paola Ventrone
Format: Article
Language:English
Published: Firenze University Press 2019-03-01
Series:Journal of Early Modern Studies
Online Access:https://oajournals.fupress.net/index.php/bsfm-jems/article/view/7106
id doaj-98e44f95051e46fc94ad6477f8e3f965
record_format Article
spelling doaj-98e44f95051e46fc94ad6477f8e3f9652020-11-25T03:52:15ZengFirenze University PressJournal of Early Modern Studies2279-71492019-03-01810.13128/JEMS-2279-7149-24883Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in PrintPaola Ventrone0Laboratorio editoriale OA / Dip. LILSIThe purpose of the article is to investigate the complex link between theatre, as a practice involving a number of people, and the change in the use of dramatic texts occurred at the origins of the Italian printing industry, when dramatic texts were no longer only acted but also read as books. With the invention of printed books, theatre has been transformed from a performative action to a container of memory images fixed through the book illustration. On the one hand, the article investigates the printed tradition of sacre rappresentazioni (‘sacred plays’) in connection with the other religious literary texts published between the end of the fifteenth and the beginning of sixteenth centuries, putting it in relation with the birth of devotional books widely used in Florence during the age of Savonarola. On the other hand, it deals with the problem of illustrations by reconstructing the relationship between faithful people and sacred images before their diffusion was multiplied by the printing industry, and by looking at the real meaning of the link between written texts and woodcuts, in order to understand how the sacra rappresentazione, being a dramatic genre, was conceived when it was transformed into an object for reading. https://oajournals.fupress.net/index.php/bsfm-jems/article/view/7106
collection DOAJ
language English
format Article
sources DOAJ
author Paola Ventrone
spellingShingle Paola Ventrone
Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print
Journal of Early Modern Studies
author_facet Paola Ventrone
author_sort Paola Ventrone
title Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print
title_short Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print
title_full Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print
title_fullStr Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print
title_full_unstemmed Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print
title_sort acting and reading drama: notes on florentine sacre rappresentazioni in print
publisher Firenze University Press
series Journal of Early Modern Studies
issn 2279-7149
publishDate 2019-03-01
description The purpose of the article is to investigate the complex link between theatre, as a practice involving a number of people, and the change in the use of dramatic texts occurred at the origins of the Italian printing industry, when dramatic texts were no longer only acted but also read as books. With the invention of printed books, theatre has been transformed from a performative action to a container of memory images fixed through the book illustration. On the one hand, the article investigates the printed tradition of sacre rappresentazioni (‘sacred plays’) in connection with the other religious literary texts published between the end of the fifteenth and the beginning of sixteenth centuries, putting it in relation with the birth of devotional books widely used in Florence during the age of Savonarola. On the other hand, it deals with the problem of illustrations by reconstructing the relationship between faithful people and sacred images before their diffusion was multiplied by the printing industry, and by looking at the real meaning of the link between written texts and woodcuts, in order to understand how the sacra rappresentazione, being a dramatic genre, was conceived when it was transformed into an object for reading.
url https://oajournals.fupress.net/index.php/bsfm-jems/article/view/7106
work_keys_str_mv AT paolaventrone actingandreadingdramanotesonflorentinesacrerappresentazioniinprint
_version_ 1724483379570671616