FORMS CONVERSION IN HQ SHOW: ANALYSIS OF A DANCE SHOW UNDER THE BIAS OF THE GENETIC CRITICISM

This article is based on the doctoral thesis submitted to the Graduate Program in Language Studies at the State University of Londrina in 2016, entitled “In Traces of Language: Ways to Convert in Show HQ” (show presented by Ballezinho dance amateur group of Londrina, released in 2012). The focus of...

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Main Authors: Wagner Rosa, Edina Regina Pugas Panichi
Format: Article
Language:English
Published: Universidade Estadual de Londrina 2017-08-01
Series:Signum: Estudos da Linguagem
Subjects:
Online Access:http://www.uel.br/revistas/uel/index.php/signum/article/view/28103/21345
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spelling doaj-98c2b413495f4029985ae1e02eff10962020-11-25T01:07:24ZengUniversidade Estadual de LondrinaSignum: Estudos da Linguagem1516-30832237-48762017-08-0120228930710.5433/2237-4876.2017v20n2p289FORMS CONVERSION IN HQ SHOW: ANALYSIS OF A DANCE SHOW UNDER THE BIAS OF THE GENETIC CRITICISMWagner Rosa0Edina Regina Pugas Panichi1Universidade Estadual de LondrinaUniversidade Estadual de Londrina This article is based on the doctoral thesis submitted to the Graduate Program in Language Studies at the State University of Londrina in 2016, entitled “In Traces of Language: Ways to Convert in Show HQ” (show presented by Ballezinho dance amateur group of Londrina, released in 2012). The focus of the work revolved around the analysis of aspects of the work under the optics of the forms conversion that occurs during the creation process. The proposals presented bring to completion the postulation of Genetic Criticism workout idea toward the scenic creation, and especially the language of dance, encouraging artists, students and researchers to develop their actions in possession of information about this reference universe, enabling the reframing of artistic work from the understanding of his creative process, expanding their horizons beyond the limits imposed by the formal completion.http://www.uel.br/revistas/uel/index.php/signum/article/view/28103/21345genetic criticismScenic aestheticsLanguage of dance
collection DOAJ
language English
format Article
sources DOAJ
author Wagner Rosa
Edina Regina Pugas Panichi
spellingShingle Wagner Rosa
Edina Regina Pugas Panichi
FORMS CONVERSION IN HQ SHOW: ANALYSIS OF A DANCE SHOW UNDER THE BIAS OF THE GENETIC CRITICISM
Signum: Estudos da Linguagem
genetic criticism
Scenic aesthetics
Language of dance
author_facet Wagner Rosa
Edina Regina Pugas Panichi
author_sort Wagner Rosa
title FORMS CONVERSION IN HQ SHOW: ANALYSIS OF A DANCE SHOW UNDER THE BIAS OF THE GENETIC CRITICISM
title_short FORMS CONVERSION IN HQ SHOW: ANALYSIS OF A DANCE SHOW UNDER THE BIAS OF THE GENETIC CRITICISM
title_full FORMS CONVERSION IN HQ SHOW: ANALYSIS OF A DANCE SHOW UNDER THE BIAS OF THE GENETIC CRITICISM
title_fullStr FORMS CONVERSION IN HQ SHOW: ANALYSIS OF A DANCE SHOW UNDER THE BIAS OF THE GENETIC CRITICISM
title_full_unstemmed FORMS CONVERSION IN HQ SHOW: ANALYSIS OF A DANCE SHOW UNDER THE BIAS OF THE GENETIC CRITICISM
title_sort forms conversion in hq show: analysis of a dance show under the bias of the genetic criticism
publisher Universidade Estadual de Londrina
series Signum: Estudos da Linguagem
issn 1516-3083
2237-4876
publishDate 2017-08-01
description This article is based on the doctoral thesis submitted to the Graduate Program in Language Studies at the State University of Londrina in 2016, entitled “In Traces of Language: Ways to Convert in Show HQ” (show presented by Ballezinho dance amateur group of Londrina, released in 2012). The focus of the work revolved around the analysis of aspects of the work under the optics of the forms conversion that occurs during the creation process. The proposals presented bring to completion the postulation of Genetic Criticism workout idea toward the scenic creation, and especially the language of dance, encouraging artists, students and researchers to develop their actions in possession of information about this reference universe, enabling the reframing of artistic work from the understanding of his creative process, expanding their horizons beyond the limits imposed by the formal completion.
topic genetic criticism
Scenic aesthetics
Language of dance
url http://www.uel.br/revistas/uel/index.php/signum/article/view/28103/21345
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