Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940

The aim of this article is to explore the transformations suffered by the ideology of mestizaje in the diverse periods of the essay production of Cuban anthropologist Fernando Ortiz, before the publication of his classic Cuban Counterpoint: Tobacco and Sugar in 1940. In order to do that, we will ana...

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Main Author:	Alejandra Marta Mailhe
Format:	Article
Language:	Spanish
Published:	Universidad Nacional de La Plata 2010-11-01
Series:	Orbis Tertius
Subjects:	Afrocubanismo Fernando Ortiz Positivismo Intelectual/cultura popular
Online Access:	http://revistas.fahce.unlp.edu.ar/index.php/OT/article/view/2405

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spelling	doaj-985f181420df4b4794d775785bb7a3212020-11-24T23:06:59ZspaUniversidad Nacional de La PlataOrbis Tertius1851-78112010-11-0116172265Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940Alejandra Marta Mailhe0Universidad Nacional de La Plata; CONICETThe aim of this article is to explore the transformations suffered by the ideology of mestizaje in the diverse periods of the essay production of Cuban anthropologist Fernando Ortiz, before the publication of his classic Cuban Counterpoint: Tobacco and Sugar in 1940. In order to do that, we will analyze certain fundamental instances in his work, looking especially at some of the numerous essays published between 1900 and the late 1930s and focusing on the articulation, in his beginnings, of the tension between the ethnocentric condemnation of alterity and the valuation of the Afro component as a key basis for the constitution of national identityhttp://revistas.fahce.unlp.edu.ar/index.php/OT/article/view/2405AfrocubanismoFernando OrtizPositivismoIntelectual/cultura popular
collection	DOAJ
language	Spanish
format	Article
sources	DOAJ
author	Alejandra Marta Mailhe
spellingShingle	Alejandra Marta Mailhe Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940 Orbis Tertius Afrocubanismo Fernando Ortiz Positivismo Intelectual/cultura popular
author_facet	Alejandra Marta Mailhe
author_sort	Alejandra Marta Mailhe
title	Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940
title_short	Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940
title_full	Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940
title_fullStr	Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940
title_full_unstemmed	Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940
title_sort	avatares de la conceptualización de la cultura negra en la obra de fernando ortiz, 1900-1940
publisher	Universidad Nacional de La Plata
series	Orbis Tertius
issn	1851-7811
publishDate	2010-11-01
description	The aim of this article is to explore the transformations suffered by the ideology of mestizaje in the diverse periods of the essay production of Cuban anthropologist Fernando Ortiz, before the publication of his classic Cuban Counterpoint: Tobacco and Sugar in 1940. In order to do that, we will analyze certain fundamental instances in his work, looking especially at some of the numerous essays published between 1900 and the late 1930s and focusing on the articulation, in his beginnings, of the tension between the ethnocentric condemnation of alterity and the valuation of the Afro component as a key basis for the constitution of national identity
topic	Afrocubanismo Fernando Ortiz Positivismo Intelectual/cultura popular
url	http://revistas.fahce.unlp.edu.ar/index.php/OT/article/view/2405
work_keys_str_mv	AT alejandramartamailhe avataresdelaconceptualizaciondelaculturanegraenlaobradefernandoortiz19001940
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Avatares de la conceptualización de la cultura negra en la obra de Fernando Ortiz, 1900-1940

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