Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)

This paper proposes a new edition with commentary of the poem “Be·m plagr’ueymais qu’ab vos, dona, ·m valgues” by Guillem Peire de Cazals and represents a first critical and hermeneutical reassessment of the poetry of the troubadour from Cahors, that has long been neglected. The text presents the cl...

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Main Author: Alessio Collura
Format: Article
Language:Catalan
Published: Università di Napoli Federico II 2011-12-01
Series:Lecturae Tropatorum
Subjects:
Online Access:http://www.lt.unina.it/Collura-2011.pdf
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spelling doaj-97a6ff75161f4e299eda77d18db152052020-11-25T00:24:13ZcatUniversità di Napoli Federico IILecturae Tropatorum1974-43742011-12-014131Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)Alessio ColluraThis paper proposes a new edition with commentary of the poem “Be·m plagr’ueymais qu’ab vos, dona, ·m valgues” by Guillem Peire de Cazals and represents a first critical and hermeneutical reassessment of the poetry of the troubadour from Cahors, that has long been neglected. The text presents the classical structure of a love-story (springtime exordium, singing brought on by love, the theme of improvement, courting with no hope of a reward, a request for mercé) and invites the fin aman to be patient. The song is examined from the viewpoint of its metrical and stylistic relations to other troubadour poems (Bernart de Ventadorn, “Can par la flors josta·l vert folh” [BdT 70.41] and “La dousa votz ai auzida” [BdT 70.23] and Lanfranc Cigala, “Ioios d’amor farai de ioi senblan” [BdT 282.12]), and represents an early example of the mannerisms and experimental tendencies that characterize Guillem Peire’s poems. The article also attempts to date the composition to the twenties or thirties of the 13th century.http://www.lt.unina.it/Collura-2011.pdfGuillem Peire de CazalsTroubadoursOld OccitanTextual criticismInterpretation
collection DOAJ
language Catalan
format Article
sources DOAJ
author Alessio Collura
spellingShingle Alessio Collura
Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)
Lecturae Tropatorum
Guillem Peire de Cazals
Troubadours
Old Occitan
Textual criticism
Interpretation
author_facet Alessio Collura
author_sort Alessio Collura
title Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)
title_short Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)
title_full Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)
title_fullStr Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)
title_full_unstemmed Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)
title_sort guillem peire de cazals, “be·m plagr’ueymais qu’ab vos dona·m valgues” (bdt 227.6)
publisher Università di Napoli Federico II
series Lecturae Tropatorum
issn 1974-4374
publishDate 2011-12-01
description This paper proposes a new edition with commentary of the poem “Be·m plagr’ueymais qu’ab vos, dona, ·m valgues” by Guillem Peire de Cazals and represents a first critical and hermeneutical reassessment of the poetry of the troubadour from Cahors, that has long been neglected. The text presents the classical structure of a love-story (springtime exordium, singing brought on by love, the theme of improvement, courting with no hope of a reward, a request for mercé) and invites the fin aman to be patient. The song is examined from the viewpoint of its metrical and stylistic relations to other troubadour poems (Bernart de Ventadorn, “Can par la flors josta·l vert folh” [BdT 70.41] and “La dousa votz ai auzida” [BdT 70.23] and Lanfranc Cigala, “Ioios d’amor farai de ioi senblan” [BdT 282.12]), and represents an early example of the mannerisms and experimental tendencies that characterize Guillem Peire’s poems. The article also attempts to date the composition to the twenties or thirties of the 13th century.
topic Guillem Peire de Cazals
Troubadours
Old Occitan
Textual criticism
Interpretation
url http://www.lt.unina.it/Collura-2011.pdf
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