Bob Cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in Angeli’s underground comic strips

This article examines the character Bob Cuspe, created by the cartoonist Angeli, in the light of the concept of ‘counterbehavior,’ i.e. as innovative forms of political resistance that are grounded in the demobilization of power networks and their representatives. By examining the character – specif...

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Main Author: Maria da Conceição Francisca Pires
Format: Article
Language:English
Published: Universidade do Estado de Santa Catarina 2017-09-01
Series:Tempo e Argumento
Online Access:http://revistas.udesc.br/index.php/tempo/article/view/10547
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spelling doaj-97865c8aafbb4a12b7344503643e208a2020-11-24T22:46:54ZengUniversidade do Estado de Santa CatarinaTempo e Argumento2175-18032017-09-019204915145679Bob Cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in Angeli’s underground comic stripsMaria da Conceição Francisca Pires0UniRioThis article examines the character Bob Cuspe, created by the cartoonist Angeli, in the light of the concept of ‘counterbehavior,’ i.e. as innovative forms of political resistance that are grounded in the demobilization of power networks and their representatives. By examining the character – specifically the characteristics set out in the inaugural story –, and the discursive references applied to provide it with meaning, we aim to point out how its lifestyle expresses new contemporary resistance forms, insofar as it constitutes a new world, with rules of its own to interact and be together and, at the same time, it keeps a critical condition in mind. This analysis intends to refute the argument, usual in studies about this, that the character manifests a condition alienated from the social and political context in which it is inserted. Finally, we advocate the premise that the magazine Chiclete com Banana, where the Bob Cuspe’s stories were published, was a space created to reverberate an assumedly melancholic and nihilistic mood, which is not identified with the revolutionary intents and/or utopias of the previous generation of artists, politicians, and intellectuals, and this becomes representative of a large part of the Brazilian youth that grew up silenced and under the impact of fear promoted by the dictatorial State terror.   Keywords: Comic Strips. Angeli, 1956. Graphic Humor.http://revistas.udesc.br/index.php/tempo/article/view/10547
collection DOAJ
language English
format Article
sources DOAJ
author Maria da Conceição Francisca Pires
spellingShingle Maria da Conceição Francisca Pires
Bob Cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in Angeli’s underground comic strips
Tempo e Argumento
author_facet Maria da Conceição Francisca Pires
author_sort Maria da Conceição Francisca Pires
title Bob Cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in Angeli’s underground comic strips
title_short Bob Cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in Angeli’s underground comic strips
title_full Bob Cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in Angeli’s underground comic strips
title_fullStr Bob Cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in Angeli’s underground comic strips
title_full_unstemmed Bob Cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in Angeli’s underground comic strips
title_sort bob cuspe: microscopic resistance, counterbehavior and the power of ‘no’ in angeli’s underground comic strips
publisher Universidade do Estado de Santa Catarina
series Tempo e Argumento
issn 2175-1803
publishDate 2017-09-01
description This article examines the character Bob Cuspe, created by the cartoonist Angeli, in the light of the concept of ‘counterbehavior,’ i.e. as innovative forms of political resistance that are grounded in the demobilization of power networks and their representatives. By examining the character – specifically the characteristics set out in the inaugural story –, and the discursive references applied to provide it with meaning, we aim to point out how its lifestyle expresses new contemporary resistance forms, insofar as it constitutes a new world, with rules of its own to interact and be together and, at the same time, it keeps a critical condition in mind. This analysis intends to refute the argument, usual in studies about this, that the character manifests a condition alienated from the social and political context in which it is inserted. Finally, we advocate the premise that the magazine Chiclete com Banana, where the Bob Cuspe’s stories were published, was a space created to reverberate an assumedly melancholic and nihilistic mood, which is not identified with the revolutionary intents and/or utopias of the previous generation of artists, politicians, and intellectuals, and this becomes representative of a large part of the Brazilian youth that grew up silenced and under the impact of fear promoted by the dictatorial State terror.   Keywords: Comic Strips. Angeli, 1956. Graphic Humor.
url http://revistas.udesc.br/index.php/tempo/article/view/10547
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